Nikolai Semenovitch Lyeskoff (1837-1895), who long wrote under the pseudonym of "M. Stebnitzky," is another author famous for his portraits of a whole class of the population, his specialty being the priestly class. He was of noble birth, and was reared in luxury, but was orphaned and ruined at a very early age, so that he was obliged to earn a hard living, first in government service, then as traveler for a private firm. This extensive traveling afforded him the opportunity of making acquaintance with the life of all classes of the population. He began to write in 1860, but a few incautious words, in 1862, raised a storm against him in the liberal press, which accused him of instigating the police to their attacks upon young people. As Count Tolstoy remarked to me, this incident prevented Lyeskoff ever receiving the full meed of recognition which his talent merited; a large and influential section of the press was permanently in league against him. This, eventually, so exasperated and embittered Lyeskoff that he really did go over to the conservative camp, and the first result of his wrath was the romance "No Thoroughfare," published in 1865. Its chief characters are two ideal socialists, a man and a woman, recognized by contemporaries as the portraits of living persons. Both are represented as finding so-called socialists to be merely crafty nihilists. This raised another storm, and still further embittered Lyeskoff, who expressed himself in "To the Knife" (in the middle of the '70's), a mad production, wherein revolutionists (or "nihilists," as they were then generally called) were represented as condensed incarnations of the seven deadly sins. These works had much to do with preventing Lyeskoff from taking that high place in the public estimation which his other works (a mass of novels and tales devoid of political tendency) and his great talent would have otherwise assured to him. Of his large works, "The Cathedral Staff," with its sympathetic and life-like portraits of Archpriest Savely Tuberosoff and his athletic Deacon Achilles, and his "Episcopal Trifles" rank first. The latter volume, which consists of a series of pictures setting forth the dark sides of life in the highest ecclesiastical hierarchy, created a great sensation in the early '80's, and raised a third storm, and the author fell into disfavor in official circles. Perhaps the most perfect of his works is one of the shorter novels, "The Sealed Angel," which deals with the ways and beliefs of the Old Ritualists (though in the vicinity of Kieff, not in Melnikoff's province), and is regarded as a classic, besides being a pure delight to the initiated reader. Count L. N. Tolstoy greatly admired (he told me) Lyeskoff's "At the End of the World," a tale of missionary effort in Siberia, which is equally delightful in its way, though less great. Towards the end of his career, Lyeskoff was inclined to mysticism, and