A Survey of Russian Literature, with SelectionsHapgood, Isabel Florence
History
A Survey of Russian Literature, with Selections
Hapgood, Isabel Florence
Russian literature -- History and criticism
Adam and Eve naturally receive a share of the minstrel's attention, and
"Adam's Wail" before the gates of Paradise is often very touching. In a
ballad from White Russia, Adam begs the Lord to permit him to revisit
Paradise. The Lord accordingly gives orders to "St. Peter-Paul" to admit
Adam to Paradise, to have the song of the Cherubim sung for him, and so
forth; but not to allow him to remain. In the midst of Paradise Adam
beholds his coffin and wails before it: "O, my coffin, coffin, my true
home! Take me, O my coffin, as a mother her own child, to thy white
arms, to thy ruddy face, to thy warm heart!" But "St. Peter-Paul" soon
catches sight of him, and tells him that he has no business to be
strolling about and spying out Paradise; his place is on Zion's hill,
where he will be shown books of magic, and of life, and things in
general.
There is a great mass of poetry devoted to Joseph; and a lament to
"Mother Desert," uttered as he is being led away into captivity by the
merchants to whom his brethren have sold him, soon becomes the
groundwork for variations in which the Scripture story is entirely
forgotten. In these Joseph is always a "Tzarevitch," or king's son, his
father being sometimes David, sometimes "the Tzar of India," or of "the
Idolaters' Land," or some such country. He is confined in a tower,
because the soothsayers have foretold that he will become a Christian
(or because he is already a Christian he shuts himself up). One day he
is permitted to ride about the town, and although all old people have
been ordered to keep out of sight, he espies one aged cripple, and thus
learns that his father has grossly deceived him, in asserting that no
one ever becomes old or ill in his kingdom. He forthwith becomes a
Christian, and flees to the desert. Then comes his wail to "Mother
Desert Most Fair," as she stands "afar off in the valley": "O Desert
fair, receive me to thy depths, as a mother her own child, and a pastor
his faithful sheep, into thy voiceless quiet, beloved mother mine!"
"Mother Desert" proceeds to remonstrate with her "beloved child": "Who
is to rule," she says, "over thy kingdom, thy palaces of white stone,
thy young bride? When spring cometh, all the lakes will be aflood, all
the trees will be clothed with verdure, heavenly birds will warble
therein with voices angelic: in the desert thou wilt have none of this;
thy food will be fir-bark, thy drink marsh-water." Nevertheless, "Joseph
Tzarevitch" persists in his intention, and Mother Desert receives him at
last. Most versions of this ballad are full of genuine poetry, but a few
are rather ludicrous: for example, "Mother Desert" asks Joseph, "How
canst thou leave thy sweet viands and soft feather-beds to come to me?"
Of David, strange to say, we find very little mention, save in the "Dove
Book," or as the father of Joseph, or of some other equally preposterous
person.
Public-domain text, read in full here on John Shaqi.
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