A system of pyrotechny : $b Comprehending the theory and practice, with the application of chemistry; designed for exhibition and for war.Cutbush, James
History
A system of pyrotechny : $b Comprehending the theory and practice, with the application of chemistry; designed for exhibition and for war.
Cutbush, James
Fireworks; Military fireworks
We may also remark, that optical exhibitions sometimes accompany
those of fire, when performed on a small scale. In the
phantasmagoria, for instance, whether before, or at the time the
exhibition commences, as well as after, thunder and lightning, if
well imitated, produces a good effect.
The mechanism of the phantasmagoria is concealed from the spectators,
who have only before their eyes a screen of gauze or gummed muslin
posited vertically, which serves as the ground of a picture,
where the images are depicted by reason of the transparency. The
apartment is deprived of all light, except that which proceeds
from an apparatus hid behind the screen. At the moment when the
operation commences, a spectre appears (as a skeleton, the head
of a celebrated person, &c.), at first extremely small, but which
afterwards increases rapidly, and thus seems to advance at a great
rate towards the spectators. And when the scene passes before them in
a room representing a cave hung with black, a solemn silence being
occasionally interrupted by mournful sounds from an appropriate
musical instrument, it is not easy for an observer to defend himself
from the impression of terror, at the sight of an object, in itself
formed to produce the illusion, and which finds in the imagination a
place already prepared for the reception of phantoms.
The instrument placed behind the gauze screen is in fact a peculiar
construction of the magic lantern: only in the former, it is
necessary that the lenses should run over a much greater space,
and that the instrument may be susceptible of approaching to,
and receding from, the frame of gauze, in such manner, that each
luminous pencil may be depicted there in a single point. The general
construction is this: In a square box, a lamp is placed, the luminous
rays proceeding from which, are reflected by a conical mirror,
towards an orifice made in the box. At this orifice is placed a tube,
blackened within, and composed of several tubes which slide one into
another, like those of a pocket telescope. This tube is furnished
with two bi-convex lenses of about five inches diameter; one of these
is fixed, the other is at the outer extremity of the tube, and is
separated from the former in proportion as the tube is lengthened by
the aid of a hooked lever situated along the tube, between the lamp
and the lenses. A groove is properly adapted to the tube, destined
to receive transparent figures; lastly, the box rests upon a table
moveable on four wheels, that slide in two channels perpendicularly
to the frame on which the images are depicted. It is manifest,
that we may augment or diminish the dimensions of the images,
and consequently make the spectre appear more or less near to the
spectator, by separating farther, or by bringing nearer together, the
two lenses; but then the focus of the diverging rays, which proceed
from the same point of the transparent body, will be no longer upon
Public-domain text, read in full here on John Shaqi.
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