Fortunately I had remembered my promise of a year ago; this sheep on
wheels for little Pierre is in my trunk. And I have brought also some
candlesticks with owls' heads on them (heads of the _parrots of France_)
which I had promised to my other baby--Yves.
And here is the house, gay and white and new, with its Breton window
frames, its green shutters, its attic store-room, and, behind, the
horizon of the woods.
We enter. Below in the open-hearthed kitchen, Marie and little Corentine
are waiting for us.
But, immediately, Yves hurries me away, impatient that I should see
their handsome white room upstairs, with its muslin curtains and its
cherry wood furniture.
And then he opens another door.
"And now, brother, you are in your own room?"
And he looks at me, anxious to see the effect produced, after all the
pains his wife and he have taken to ensure that I should find everything
to my taste.
I enter, touched, moved. It is all white, my room, and filled with a
delicious fragrance. There are flowers everywhere, flowers which they
have gone very far to find for me; in vases on the mantelpiece, bunches
of mignonette and large bouquets of sweetpeas; in the fireplace, a mass
of heather.
But they could not bring themselves to put in my room the old furniture,
the old Breton odds and ends, and they excused themselves saying they
had found nothing that seemed to them nice enough and suitable enough;
and so they had gone to Quimper and bought me a bed like their own, in
cherry wood, a light wood, bright and slightly reddish in colour. The
tables and chairs are of the same wood. The smallest details have been
arranged with tender thought; on the walls, in gilt frames, are drawings
which I had made in earlier days and a large photograph of the tower of
Saint Pol-de-Léon, which I had given Yves at the time when we were
together in the misty waters of the North.
The boards of the floor are as clean as newly-sawn wood.
"You see, brother, everything is as spotless as on board," says Yves,
who himself has taken the greatest pains to make it so, and who removes
his shoes whenever he goes up so that he may not dirty the stairs.
And I must see everything, go everywhere, even into the store-room where
the potatoes are laid by, and the logs of wood for the winter; even into
the little vestibule of the staircase where is suspended, like the
_ex-voto_ of a sailor in a chapel of the Virgin, a miniature ship which
Yves had made during his spare time in the crow's nest of the
_Primauguet_; and finally into the garden where the strawberries and
various green things are beginning to push up their fresh shoots in long
neat rows.
Public-domain text, read in full here on John Shaqi.
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