As we look at the cross, the mound and the flowers, we both think of
this mystery: a little baby girl who was of his blood, his issue, who
had his eyes, and . . . probably, too, his nature, and who was given
back so soon to the Breton earth. It is as if something of himself had
already gone from him to mingle with the dust; it was like an
earnest-money which he had already given to eternal nothingness. . . .
In four years, this little cross which may be seen now from the
distance, will exist no longer; Yvonne and her mound and her flowers
will be swept away. Even her little bones will be gathered up and mixed
with the others, the bones of those long dead, under the church, in the
ossuary.
For four years still the cross will remain, and those who pass may read
this name of a little child. . . .
It stands on the edge of the pond. It is reflected in the deep, stagnant
water, by the side of the tall grey steeple. On the mound the blooming
carnations make white tufts, already indistinct in the oncoming
darkness. The pond is like a mirror, pale yellow, of the colour of the
dying daylight, of the sunset sky; and, all round, is the line, already
dark, of the woods.
The flowers of the tombs give out their soft perfumes of the evening. A
mild stillness surrounds us and seems to close in upon us. . . .
In the distance we hear the hooting of the owls, and we cannot
distinguish now little Yvonne's white carnations. . . . The summer night
has come.
Suddenly a loud noise startles us, amid this silence in which we were
thinking of the dead. It is the Angelus sounding, very close, above us,
in the steeple; and the air is filled with the deep vibrations of the
bell.
Yet we had seen no one enter the church which is shut and dark.
"Who is ringing?" asks Yves anxiously. "Who can be ringing? I would not
do it, ever. . . . I would not enter the church at this hour, not even
for all the gold in the world!"
. . . We leave the cemetery; there is too much noise and the Angelus
sounds strange there; it awakens unexpected echoes, in the waters of the
pond, in the enclosure of the dead, in the darkness. Not that we are
afraid of the poor little tomb with the white carnations; but there are
the others, these mounds of turf which are all about us, these graves of
men and women unknown. . . .
_Ten o'clock._ I am going to sleep for the first time under the roof of
my brother Yves.
_Later._ We have already said good night, but he returns and opens my
door.
"The flowers. They may not be good for you; it has just occurred to us.
. . ."
And he takes them all away, the mignonette, the sweetpeas, even the
bunches of heather.
CHAPTER C
The "pendulum of time" has continued its swing. It even seems that it
has moved more quickly than usual, for the week's leave which had been
given me is almost over.
Every day we spend in the woods. The weather is splendid. The heather,
the foxgloves, the red silenes, all are in flower.
Public-domain text, read in full here on John Shaqi.
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