Through the chimney filters the light of the sky, green tones fall from above on the stones of the hearth, and through the open door appears the Breton lane, with a ray of the setting sun on the honeysuckle and the ferns. We become dreamers, Yves and I, on this visit we have come to pay to the dwelling of the grandparents. Besides, grandmother Marianne speaks only Breton. From time to time Yves addresses her in this language of the past; she replies, smiles, seems pleased to see us; but the conversation quickly flags and silence returns. Vague melancholy of the evening, dreams of far-off days in this old dwelling which soon will collapse by the roadside, which will fall into ruin like its old inmates, and which no one will ever rebuild. Little Pierre is with us. He is very fond of this little cottage and of this old grandmother, who spoils him with adoration. He loves especially the little oaken cradle, a work of another century, in which he was put when he was born. He is longer than his cradle now and uses it, sitting within, as a see-saw, looking about him with his wide-open dark eyes. And now his grandmother, stooping near him, her back bent under her frilled collarette, begins to rock him herself to amuse him. And as she rocks she sings, and he, every now and then, interrupts the quavering notes with a burst of his child's laughter. Boudoul galaïchen! boudoul galaïch du! Sing, poor old woman, with your broken, trembling voice, sing the ancient lullaby, the air which comes from the distant night of dead generations, and which your grandchildren will no longer know! Boudoul, boudoul! Galaïchen, galaïch du! One expects to see gnomes and fairies descend by the wide chimney, with the light that comes from above. Outside, the sun gilds stills the branches of the oaks, the honeysuckle and the ferns. Inside, in the lonely cottage, all is mysterious and dark. Boudoul, boudoul! Galaïchen, galaïch du! Rock your little grandson, rock him still, old woman in white frilled collar! Soon the Breton songs, and the old Bretons who sing them, will be no more! And little Pierre joins his hands to say his evening prayer. Word for word, in a very sweet voice which has a strong Toulven accent, he repeats, watching us the while, all that his grandmother knows of French: "Oh God, and blessed Virgin Mary, and good Saint Anne, I pray to you for my father, for my mother, for my godfather, for my grandparents, for my little sister Yvonne. . . ." "For my Uncle Goulven who is far away at sea," adds Yves in a grave voice. And still more solemnly: "For my grandmother at Plouherzel." "For my grandmother at Plouherzel," repeats little Pierre. And then he waits for something more to repeat, keeping his hands joined.