But Yves is almost in tears at the poignant recollection which has
suddenly come to him of his mother, of the cottage in which he was born,
of his village of Plouherzel, which his son scarcely knows and which he
himself will perhaps never see again. Life is like that for the children
of the coast, for sailors; they go away, the exigencies of their calling
separate them from beloved parents who scarcely know how to write to
them and whom afterwards they never see.
I look at Yves, and, as we understand each other without speaking, I can
imagine very well what is passing in his mind.
To-day he is happy beyond his dream, many sombre things have been
distanced and conquered, and yet, and yet . . . and afterwards? Here he
is now plunged suddenly into I know not what dream of past and future,
into a strange and unexpected melancholy! And afterwards?
Boudoul galaïchen! boudoul galaïch du!
sings the old woman, her back bent under her white frilled collar.
And afterwards? . . . Only little Pierre is inclined to laugh. He turns
from one side to the other his vivacious head, bronzed and vigorous;
merriment, the flame of a life quite new are still in his large dark
eyes.
And afterwards? . . . All is dark in the abandoned cottage; it seems as
if the objects there are talking mysteriously among themselves of the
past; night is closing in around us on the great woods.
And afterwards? . . . Little Pierre will grow up and sail the seas, and
we, my brother, we shall pass away and all that we have loved with
us--our old mothers first--then everything and we ourselves, the old
mothers of the Breton cottages as those of the towns, and old Brittany
also, and everything, all the things of this world!
Boudoul galaïchen! boudoul galaïch du!
Night falls and a sadness unexpected, profound, weighs upon our hearts.
. . . And yet, to-day we are happy.
CHAPTER CII
And the Celts mourned three barren rocks, under a lowering sky, in the
heart of a gulf dotted with islets.
GUSTAVE FLAUBERT, SALAMMBÔ.
Yves and I take our departure, leaving little Pierre with his
grandmother. We follow the green lane, under the vault of oaks and
beeches, hearing in the distance, in the sonorousness of the evening,
the noise of the rocking of the ancient cradle and the old lullaby and
the outburst of child's laughter.
Outside, there is still daylight; the sun, very low, gilds the tranquil
countryside.
"Let us go as far as the chapel of Saint Eloi," says Yves.
The chapel is on the top of the hill; very old it is, and corroded with
moss, bearded with lichen, alone always, closed and mysterious in the
midst of the woods.
It opens but once in the year, for the "pardon" of the horses, which are
brought hither in great numbers, at the hour of a low mass which is said
here for them. This "pardon" was held quite recently and the grass is
still trodden down by the hoofs of the beasts which came.
Public-domain text, read in full here on John Shaqi.
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