A Tale of the Kloster: A Romance of the German Mystics of the CocalicoJabez, Brother
Religion
A Tale of the Kloster: A Romance of the German Mystics of the Cocalico
Jabez, Brother
Christian fiction; Ephrata Cloister -- Fiction; Seventh-Day Baptists -- Fiction
Brother Benno informed all the Brothers and the Sisters that Sonnlein
had wandered away in his sickness and though everybody in the Kloster
and also the good neighbors sought most earnestly and lovingly, even
wading the icy creek for him, thinking most likely he had been drowned,
naught of anything was found of my boy.
CHAPTER XXIII
A MIDNIGHT VISIT
In the meantime the wants of the body are also to be restrained
and attention given so that the voice become angelic,
heavenly, pure, and clear, and not strong and harsh, by a
coarseness of food, and consequently prove valueless. But to
gain the right tone, so that no unseemingly harsh screeching
and creaking be heard in place of the proper melody.
--Brother Beissel.
Surely God's ways for setting things right are not the ways of man's
narrow wisdom! How often doth he take the lowly, simple, and even
hideous things of earth to confuse the lofty and the wise whose faith
and love have been weakened with much learning.
A number of weeks had gone by since Sonnlein had been swallowed up in
the wilds, for in truth he could not have left less trace of himself
than if the earth had opened up and engulfed him; but finally the
mystery was solved, and if I come slowly to the mark I humbly ask the
forgiveness of all those who are not inclined to wait patiently for an
old man's laggard step. Thus it came about. From the very founding of
our Kloster we paid great attention to music, especially singing, and I
would that I had time and space to write fully about the system of music
invented by our leader, with the assistance of one of our housefathers,
Ludwig Blum, who was a master singer and also versed in composition.
But as we had been careful in everything else to conform as little as
possible to the spirit of the world, instead shaping ourselves in
everything to the heavenly spirit, so also it was in respect to singing.
As hath been said, "_Musicam divini quid spirare_," if she sounds out
the praises of the Most High, for which purpose she is solely
calculated; so that we like not to see her noble character abused by
theatrical diversions and her heavenly sweetness marred by their curled
compositions; for it is well known they sometimes dwell two minutes on
one syllable which is nothing else than a great nonsense. We also held
it to be a great mistake to join all sorts of instruments with vocal
music, without consideration, thereby eclipsing the dignity of the human
voice; for the human voice is a most noble instrument, by which man may
reveal his most intimate recesses; for when God made himself known in
his created work he spake the word, "Let there be light," and surely it
was far more sublime than if it had been announced with a flourish of
braying instruments.
Public-domain text, read in full here on John Shaqi.
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