A Tale of the Kloster: A Romance of the German Mystics of the CocalicoJabez, Brother
Religion
A Tale of the Kloster: A Romance of the German Mystics of the Cocalico
Jabez, Brother
Christian fiction; Ephrata Cloister -- Fiction; Seventh-Day Baptists -- Fiction
For this reason we at Ephrata did not concern ourselves greatly about
instrumental music, though indeed, when our superintendent prepared our
system of music he knew very little except some notes which he had
learned on the violin; but such was our leader's genius and his
independence of spirit and energy that instead of borrowing anything
from the so-called masters he took his style from the music of nature,
our singing, in a word, being an imitation of the Æolian harp.
Naturally, 'twas a style very peculiar, as the worldly minded regard
things, in concords and execution, the tones issuing from the choir like
very soft instrumental music and carrying such a sweetness and softness
and spirit of devotion as seemed almost superhuman to the listener.
To carry out this idea of the Æolian harp, the music was set in two,
four, five, and sometimes even seven parts. All these, save the bass,
which was set in two parts, high and low, were led and sung exclusively
by the females, the men's voices resembling the deep tones of the organ
and in combination with one of the female parts producing a contrast
which was an excellent imitation of the hautboy.
And in the perfection of this heavenly art we spent much time and
labor, for we felt that we were no greater than the angels, who
themselves when they sang at the birth of Christ had to make use of such
rules as we employed; and for that we held music was truly an angelic
art our leader gave us very many rules, especially as to our diet, for
the refining of our voices. The Brothers and Sisters being formed into
different singing classes, were each put upon a distinct diet with the
intention so to affect the vocal cords and mold them that they would
give forth the required pitch assigned to each class.
Thus the diet for the bass singers was entirely different from that of
the tenors, while the second bass and the baritone varied as greatly as
that selected for the soprano and the alto, and it being absolutely
necessary to know what sorts of foods quicken the spirit and make the
voice subtle and thin and to the contrary make the voice coarse and
sluggish and heavy, our leader took great care that all those selected
to sing should abstain from the use of foods which in great injustice
man is accustomed to take from the animals, such as milk, which causeth
one heaviness and uneasiness; and cheese which maketh one fiery and
hot-brained; and butter, which maketh one so lazy and stolid one desires
neither to sing nor pray; and eggs, which awaken various and evil
desires; and even honey was forbidden, for as our brother held that
though this sweet essence of the flowers causeth light eyes and a
cheerful spirit, it maketh the voice not clear.
Public-domain text, read in full here on John Shaqi.
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