Produced by Chris Curnow, Carla Foust, Lindy Walsh and the
Online Distributed Proofreading Team at https://www.pgdp.net.
Music transcribed by Linda Cantoni.
Transcriber's note
Minor punctuation errors have been changed without notice. Printer
errors have been changed and are listed at the end. All other
inconsistencies are as in the original.
In this version the square root symbol is indicated by [** sqrt], the
superscript by ^, and the therefore symbol by [** therefore].
A TANGLED TALE
[Decoration]
[Illustration: "AT A PACE OF SIX MILES IN THE HOUR."
_Frontispiece._]
A TANGLED TALE
BY
LEWIS CARROLL
_WITH SIX ILLUSTRATIONS_
BY
ARTHUR B. FROST
Hoc meum tale quale est accipe.
_SECOND THOUSAND._
London
MACMILLAN AND CO.
1885
[_All Rights Reserved_]
RICHARD CLAY & SONS,
BREAD STREET HILL, LONDON, E.C.
_And Bungay, Suffolk_.
To My Pupil.
Beloved pupil! Tamed by thee,
Addish-, Subtrac-, Multiplica-tion,
Division, Fractions, Rule of Three,
Attest thy deft manipulation!
Then onward! Let the voice of Fame
From Age to Age repeat thy story,
Till thou hast won thyself a name
Exceeding even Euclid's glory!
PREFACE.
This Tale originally appeared as a serial in _The Monthly Packet_,
beginning in April, 1880. The writer's intention was to embody in each
Knot (like the medicine so dexterously, but ineffectually, concealed in
the jam of our early childhood) one or more mathematical questions--in
Arithmetic, Algebra, or Geometry, as the case might be--for the
amusement, and possible edification, of the fair readers of that
Magazine.
L. C.
_October, 1885._
CONTENTS.
KNOT PAGE
I. EXCELSIOR 1
II. ELIGIBLE APARTMENTS 4
III. MAD MATHESIS 13
IV. THE DEAD RECKONING 19
V. OUGHTS AND CROSSES 27
VI. HER RADIANCY 34
VII. PETTY CASH 43
VIII. DE OMNIBUS REBUS 52
IX. A SERPENT WITH CORNERS 58
X. CHELSEA BUNS 66
ANSWERS TO KNOT I. 77
" " II. 84
" " III. 90
" " IV. 96
" " V. 102
" " VI. 106
" " VII. 112
" " VIII. 132
" " IX. 135
" " X. 142
A TANGLED TALE.
KNOT I.
EXCELSIOR.
"Goblin, lead them up and down."
Public-domain text, read in full here on John Shaqi.
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