A Tatter of Scarlet: Adventurous Episodes of the Commune in the Midi 1871 — John Shaqi
A Tatter of Scarlet: Adventurous Episodes of the Commune in the Midi 1871Crockett, S. R. (Samuel Rutherford)
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A Tatter of Scarlet: Adventurous Episodes of the Commune in the Midi 1871
Crockett, S. R. (Samuel Rutherford)
Adventure stories; Franco-Prussian War, 1870-1871 -- Fiction; Scots -- France -- Fiction
Rhoda Polly was the learned one; she had been to college at Selborne,
and still retained in speech and manner something Oxonian and aloof. But
really she was gentle and humble-minded, eager with sympathy, and only
shy because afraid of proffering it where it was not wanted. Rhoda Polly
was a creamy blonde with abundant rippling hair, clearly cut small
features, and the most sensitive of mouths. Yet she was full of the most
unselfish courage, ready for long smiling endurances, and with that
unusual feminine silence which enables a woman to keep her griefs to
herself and even to deceive others into thinking she has none.
Did anyone want anything, Rhoda Polly would find it. Had two tickets
only been sent for the theatre, Rhoda Polly would not mind staying at
home. Rhoda Polly never minded anything. She did not cry half the
afternoon like Hannah over a spoilt dress, nor fall into any of Liz's
miniature rages. She was Rhoda Polly, and everybody depended upon her.
The girls confided in her largely, and never expected her to have any
secrets of her own for truck, barter, or exchange.
Hannah had been delicate always--or at least had been so considered by
her mother.
Her character had been formed between her mother's favour and her elder
sister's habit of giving way rather than face an argument. She was dark
and slender, placidly sure of being always right, and of looking best in
a large picture hat with a raven plume.
Hannah had been sent to school near Lausanne, which was kept by the
daughter of the famous Froebel, assisted by a relative of the still more
famous Pestalozzi. An English lady was in residence at the
Pestalozzi-Froebel Institute, to teach the pupils the aristocratic
manners, so rare and necessary an accomplishment in a country where the
President of the Republic returns from his high office to put on his
grocer's apron, and goes on weighing out pounds of tea at the counter of
the old shop which had been his father's before him.
Liz was all dimples and easy manners, the plaything of the house. She
knew she could do no wrong, so long as she went on opening wide her eyes
of myosotis blue, now purring and now scratching like a kitten; she
would often dart away for no reason whatever, only to come back a minute
after, having apparently forgotten the cause of her brusque
disappearance. She was accordingly a good deal spoilt, not only by the
young engineers who frequented the Chateau Schneider, but by her parents
and sisters as well.
One of the former, asked the reason of a decided preference for Liz,
declared that it was because she could never be mistaken for a French
convent-bred girl. It was pointed out to him that the same might be said
for the other two, but he stuck to his point. Rhoda Polly with her
Oxford manner of condescending to undergraduates, and Hannah with the
Pestalozzi Institute refinements, might speak and look as if they had a
duenna hidden in the background, but Liz--never! She was more likely to
box somebody's ears.
Public-domain text, read in full here on John Shaqi.
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