A Text-book of Paper-makingCross, C. F. (Charles Frederick)
Science
A Text-book of Paper-making
Cross, C. F. (Charles Frederick)
Paper industry; Papermaking
They resemble in general appearance the breaking engines previously
described; the roll, however, carries more knives, and it is usually
let down much nearer to the bed-plate. In the case of fibrous
substances, whose ultimate fibres are relatively short (see table,
p. 39), it is only necessary to split up the filaments into their
constituent fibres: esparto, straw, and wood are of this class. In the
case of straw, the disintegration is for the most part accomplished
in the boiling and bleaching processes, and therefore but little work
devolves upon the beater. Esparto and wood require a certain amount of
beating, but this should be regulated to the drawing asunder of the
individual fibres, any cutting of the fibres being carefully avoided.
This is accomplished by adjusting the distance of the roll from the
bed-plate, so that by the friction of the fibres upon themselves, when
passing over the plate, a kind of rubbing or “brushing” is produced.
If a carefully-made paper of esparto or wood be examined by the
microscope, it will be found that the majority of the fibres preserve
the pointed or slightly rounded ends {118} characteristic of bast
cells. On the other hand, it is obvious that cotton, whose ultimate
fibres have a length of 20 to 40 mm., and flax (25–30 mm.), with other
similar fibres, will require to be broken up into short fragments in
order to develop to the fullest the felting property of the pulp. Not
only are the fibres reduced to the most favourable dimensions, but
in cotton and linen a further contributory advantage accrues; for on
account of the internal structure of the ultimate fibres they tend to
split up at the point of rupture into a number of fibrillæ, which, in
the case of cotton, take the form of a network; and in case of linen,
are seen as a bundle of distinct fibres parallel to and continuous
with the fibre. This gives to ends of the fragments a ragged contour,
which has considerable influence on the felting power of the pulp, and
therefore on the strength of the paper into which it is made.
With these fibres, therefore, the “cutting” as distinguished from the
“breaking” action should be avoided as much as possible, otherwise the
effect described above will not be produced, and the fibres will show
instead a clean cut. The appearance shown by cotton and linen pulp,
when thoroughly “beaten” and ready to be made into paper, is given in
the frontispiece, which is taken from the author’s micro-photographs.
Public-domain text, read in full here on John Shaqi.
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