A Text-Book of Precious Stones for Jewelers and the Gem-Loving PublicWade, Frank Bertram
Science
A Text-Book of Precious Stones for Jewelers and the Gem-Loving Public
Wade, Frank Bertram
Precious stones
VITREOUS LUSTER. The other stones nearly all have what is called
_vitreous_ luster (literally, glass like), yet owing to difference of
hardness, and consequent minute differences in fineness of surface
finish, the keenness of this vitreous luster varies slightly in
different stones, and a trained eye can obtain clues to the identity of
certain stones by means of a consideration of the luster. Garnets, for
example, being harder than glass, take a keener polish, and a glance at
a doublet (of which the hard top is usually garnet and the base of
glass) will show that the light is better reflected from the garnet part
of the top slope than from the glass part. This use of luster affords
the quickest and surest means of detecting a doublet. One can even tell
a doublet inside a show window, although the observer be outside on the
sidewalk, by moving to a position such that a reflection from the top
slope of the stone is to be had. When a doublet has a complete garnet
top no such direct comparison can be had, but by viewing first the top
luster, and then the back luster, in rapid succession, one can tell
whether or not the stone is a doublet.
OILY LUSTER. Certain stones, notably the peridot (or chrysolite) and the
hessonite (or cinnamon stone), have an oily luster. This is possibly due
to reflection of light that has penetrated the surface slightly and then
been reflected from disturbed layers beneath the surface. At any rate,
the difference in luster may be made use of by those who have trained
their eyes to appreciate it. Much practice will be needed before one can
expect to tell at a glance when he has a peridot (or chrysolite) by the
luster alone, but it will pay to spend some spare time in studying the
luster of the various stones.
A true, or "precious" topaz, for example, may be compared with a yellow
quartz-topaz, and owing to the greater hardness of the true topaz, it
will be noted that it has a slightly keener luster than the other stone,
although both have vitreous luster. Similarly the corundum gems (ruby
and sapphire), being even harder than true topaz, take a splendid
surface finish and have a very keen vitreous luster.
Turquoise has a dull waxy luster, due to its slight hardness. Malachite,
although soft, has, perhaps because of its opacity, a keen and sometimes
almost metallic luster.
One may note the luster rapidly, without apparatus and without damage to
the stone. We thus have a test which, while it is not conclusive except
in a very few cases, will supplement and serve to confirm other tests,
or perhaps, if used at first, will suggest what other tests to apply.
Another optical effect that serves to distinguish some stones depends
upon the reflection of light from within the material due to a certain
lack of homogeneity in the substance.
Public-domain text, read in full here on John Shaqi.
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