A Text-Book of Precious Stones for Jewelers and the Gem-Loving Public — John Shaqi
A Text-Book of Precious Stones for Jewelers and the Gem-Loving PublicWade, Frank Bertram
Science
A Text-Book of Precious Stones for Jewelers and the Gem-Loving Public
Wade, Frank Bertram
Precious stones
In testing a gem for hardness the problem consists in finding out which
of the above minerals is most nearly equal in hardness to the unknown
stone. Any gem that was approximately equal in hardness to a true topaz
(8) would also be said to be of hardness 8. Thus spinel is of about the
same hardness as topaz and hence is usually rated as 8 in hardness.
Similarly opal, moonstone, and turquoise are of about the same hardness
as feldspar and are all rated 6.
Frequently stones will be found that in hardness are between some two of
Mohs's minerals. In that case we add one half to the number of the
softer mineral; thus, peridot, benitoite, and jade (nephrite) are all
softer than quartz (7) but harder than feldspar (6); hence we say they
are 6-1/2 in hardness. Beryl (aquamarine and emerald), garnet
(almandine), and zircon are rated 7-1/2 in hardness, being softer than
true topaz but harder than quartz. A table of the hardness of most of
the commonly known gem-stones follows this lesson.
Having now an idea of what hardness means and how it is expressed, we
must next inquire how one may make use of it in identifying unknown
gems.
HOW TO APPLY THE HARDNESS TEST. In the first place, it is necessary to
caution the beginner against damaging a fine gem by attempting to test
its hardness in any but the most careful manner. The time-honored file
test is really a hardness test and serves nicely to distinguish genuine
gems, of hardness 7 or above, from glass imitations. A well-hardened
steel file is of not quite hardness 7, and glass of various types while
varying somewhat averages between 5 and 6. Hence, glass imitations are
easily attacked by a file. To make the file test use only a _very fine_
file and apply it with a light but firm pressure lengthwise along the
girdle (edge) of the unset stone. If damage results it will then be
almost unnoticeable. Learn to know the _feel_ of the file as it takes
hold of a substance softer than itself. Also learn the _sound_. If
applied to a hard stone a file will slip on it, as a skate slips on ice.
It will not take hold as upon a softer substance.
If the stone is set, press a sharp corner of a broken-ended file gently
against a _back_ facet, preferably high up toward the girdle, where any
damage will not be visible from the front, and move the file very
slightly along the surface, noting by the _feel_ whether or not it takes
hold and also looking with a lens to see if a scratch has been made. Do
not mistake a line of steel, left on a slightly rough surface, for a
true scratch. Frequently on an unpolished girdle of real gem material
the file will leave a streak of steel. Similarly when using test
minerals in accordance with what follows do not mistake a streak of
powder from the yielding test material, for a true scratch in the
material being tested. The safe way is to wipe the spot thus removing
any powder. A true scratch will, of course, persist.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account