A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
BOOKS RECOMMENDED: As before, Corroyer, Parker, Reber. Also,
Bell’s Series of _Handbooks of English Cathedrals_. Billings, _The
Baronial and Ecclesiastical Antiquities of Scotland_. Bond,
_Gothic Architecture in England_. Brandon, _Analysis of Gothic
Architecture_. Britton, _Cathedral Antiquities of Great Britain_.
Ditchfield, _The Cathedrals of England_. Murray, _Handbooks of the
English Cathedrals_. Parker, _Introduction to Gothic
Architecture_; _Glossary of Architectural Terms_; _Companion to
Glossary_, etc. Rickman, _An Attempt to Discriminate the Styles of
English Architecture_. Sharpe, _Architectural Parallels_; _The
Seven Periods of English Architecture_. Van Rensselaer, _English
Cathedrals_. Winkles and Moule, _Cathedral Churches of England and
Wales_. Willis, _Architectural History of Canterbury Cathedral_;
ditto _of Winchester Cathedral_; _Treatise on Vaults_.
+GENERAL CHARACTER.+ Gothic architecture was developed in England under
a strongly established royal power, with an episcopate in no sense
hostile to the abbots or in arms against the barons. Many of the
cathedrals had monastic chapters, and not infrequently abbots were
invested with the episcopal rank.
English Gothic architecture was thus by no means predominantly an
architecture of cathedrals. If architectural activity in England was on
this account less intense and widespread in the twelfth and thirteenth
centuries than in France, it was not, on the other hand, so soon
exhausted. Fewer new cathedrals were built, but the progressive
rebuilding of those already existing seems not to have ceased until the
middle or end of the fifteenth century. Architecture in England
developed more slowly, but more uniformly than in France. It contented
itself with simpler problems; and if it failed to rival Amiens in
boldness of construction and in lofty majesty, it at least never
perpetrated a folly like Beauvais. In richness of internal decoration,
especially in the mouldings and ribbed vaulting, and in the picturesque
grouping of simple masses externally, the British builders went far
toward atoning for their structural timidity.
[Illustration: FIG. 128.--PLAN OF SALISBURY CATHEDRAL.]
Public-domain text, read in full here on John Shaqi.
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