A Text-Book of the History of Architecture: Seventh Edition, revisedHamlin, A. D. F. (Alfred Dwight Foster)
History
A Text-Book of the History of Architecture: Seventh Edition, revised
Hamlin, A. D. F. (Alfred Dwight Foster)
Architecture -- History
+EARLY GOTHIC BUILDINGS.+ The pointed arch and ribbed vault were
importations from France. Early examples appear in the Cistercian abbeys
of Furness and Kirkstall, and in the Temple Church at London (1185). But
it was in the +Choir of Canterbury+, as rebuilt by William of Sens,
after the destruction by fire in 1170 of Anselm’s Norman choir, that
these French Gothic features were first applied in a thoroughgoing
manner. In plan this choir resembled that of the cathedral of Sens; and
its coupled round piers, with capitals carved with foliage, its pointed
arches, its six-part vaulting, and its _chevet_, were distinctly French.
The Gothic details thus introduced slowly supplanted the round arch and
other Norman features. For fifty years the styles were more or less
mingled in many buildings, though +Lincoln Cathedral+, as rebuilt in
1185-1200, retained nothing of the earlier round-arched style. But the
first church to be designed and built from the foundations in the new
style was the cathedral of +Salisbury+ (1220-1258; Fig. 128).
Contemporary with Amiens, it is a homogeneous and typical example of the
Early English style. The predilection for great length observable in the
Anglo-Norman churches (as at Norwich and Durham) still prevailed, as it
continued to do throughout the Gothic period; Salisbury is 480 feet
long. The double transepts, the long choir, the square east end, the
relatively low vault (84 feet to the ridge), the narrow grouped windows,
all are thoroughly English. Only the simple four-part vaulting recalls
French models. +Westminster Abbey+ (1245-1269), on the other hand,
betrays in a marked manner the French influence in its internal
loftiness (100 feet), its polygonal _chevet_ and chapels, and its
strongly accented exterior flying-buttresses (Fig. 137).
+MIXTURE OF STYLES.+ Very few English cathedrals are as homogeneous as
the two just mentioned, nearly all having undergone repeated
remodellings in successive periods. Durham, Norwich, and Oxford are
wholly Norman but for their Gothic vaults. Ely, Rochester, Gloucester,
and Hereford have Norman naves and Gothic choirs. Peterborough has an
early Gothic façade and late Gothic retro-choir added to an otherwise
completely Norman structure. Winchester is a Norman church remodelled
with early Perpendicular details. The purely Gothic churches and
cathedrals, except parish churches--in which England is very rich--are
not nearly as numerous in England as in France.
+PERIODS.+ The development of English Gothic architecture followed the
same general sequence as the French, and like it the successive stages
were most conspicuously characterized by the forms of the tracery.
The EARLY ENGLISH or LANCET period extended roundly from 1175 or 1180 to
1280, and was marked by simplicity, dignity, and purity of design.
The DECORATED or GEOMETRIC period covered another century, 1280 to 1380,
and was characterized by its decorative richness and greater lightness
of construction.
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