The =external surface= is mainly concealed by the squamous temporal, but
two features are visible. A short tube of bone, the =external auditory
process=, protrudes from the lowest part through the notch of the
squamous temporal. The process is directed outward, upward, and a little
forward. It gives attachment to the annular cartilage of the ear. Its
lumen, the =external auditory meatus= (Meatus acusticus externus),
conducts to the cavity of the middle ear (tympanum) in the dry skull,
but is separated from it by the tympanic membrane in the natural state.
The =mastoid process= projects ventrally in the interval between the
posterior process of the squamous temporal and the root of the
paramastoid (or styloid) process of the occipital bone; its outer
surface is crossed by a curved groove which leads to the
parieto-temporal canal.
The =internal surface= faces into the cerebellar fossa of the cranium.
It is concave and smooth but irregular. In its lower part is the
entrance to a short canal, the =internal auditory meatus=, which
transmits the seventh and eighth cranial nerves.
The fundus of the meatus is divided by a crest into a superior and an
inferior fossa. In the superior one is the origin of the =facial
canal=, which curves through the bone and opens externally at the
stylo-mastoid foramen; it transmits the facial (seventh cranial)
nerve. The inferior fossa presents small foramina for the passage of
fibers of the auditory (eighth cranial) nerve.
Behind the meatus and near the posterior margin of the surface is the
slit-like opening of the aquæductus vestibuli, covered by a scale of
bone. Below this is a narrow fissure, the orifice of the aquæductus
cochleæ.
The =anterior surface= looks upward and forward. The outer part
articulates with the parietal bone and the inner part faces into the
cerebral fossa of the cranium. A sharp border, the =petrosal crest=
(Crista petrosa), separates this surface from the inner one.
The =posterior surface= joins the lateral part of the occipital bone.
Public-domain text, read in full here on John Shaqi.
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