Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English
"The affection which breathed in every word of the centurion's wife,"
Alexander said, "helped me in my work. I could be satisfied with the
result.
"The picture is so successful that I finished that for Seleukus in all
confidence, and for the sarcophagus I will copy it as well or as ill as
time will allow. It will hardly be seen in the half-dark tomb, and how
few will ever go to see it! None but a Seleukus can afford to employ so
costly a brush as your brother's is--thank the Muses! But the second
portrait is quite another thing, for that may chance to be hung next a
picture by Apelles; and it must restore to the parents so much of their
lost child as it lies in my power to give them. So, on my way, I made up
my mind to begin the copy at once by lamp-light, for it must be ready by
to-morrow night at latest.
"I hurried to my work-room, and my slave placed the picture on an easel,
while I welcomed my brother Philip who had come to see me, and who had
lighted a lamp, and of course had brought a book. He was so absorbed in
it that he did not observe that I had come in till I addressed him. Then
I told him whence I came and what had happened, and he thought it all
very strange and interesting.
"He was as usual rather hurried and hesitating, not quite clear, but
understanding it all. Then he began telling me something about a
philosopher who has just come to the front, a porter by trade, from whom
he had heard sundry wonders, and it was not till Syrus brought me in a
supper of oysters--for I could still eat nothing more solid--that he
asked to see the portrait.
"I pointed to the easel, and watched him; for the harder he is to please,
the more I value his opinion. This time I felt confident of praise, or
even of some admiration, if only for the beauty of the model.
"He threw off the veil from the picture with a hasty movement, but,
instead of gazing at it calmly, as he is wont, and snapping out his sharp
criticisms, he staggered backward, as though the noonday sun had dazzled
his sight. Then, bending forward, he stared at the painting, panting as
he might after racing for a wager. He stood in perfect silence, for I
know not how long, as though it were Medusa he was gazing on, and when at
last he clasped his hand to his brow, I called him by name. He made no
reply, but an impatient 'Leave me alone!' and then he still gazed at the
face as though to devour it with his eyes, and without a sound.
"I did not disturb him; for, thought I, he too is bewitched by the
exquisite beauty of those virgin features. So we were both silent, till
he asked, in a choked voice: 'And did you paint that? Is that, do you
say, the daughter that Seleukus has just lost?'
"Of course I said 'Yes'; but then he turned on me in a rage, and
reproached me bitterly for deceiving and cheating him, and jesting with
things that to him were sacred, though I might think them a subject for
sport.
Public-domain text, read in full here on John Shaqi.
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