Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English
Others longed to know more about the early-dead original of this
enchanting portrait. Korinna's wealthy father and his brothers were
among the best-known men of the city. The elder, Timotheus, was high-
priest of the Temple of Serapis; and Zeno, the younger, had set the
whole world talking when he, who in his youth had been notoriously
dissipated, had retired from any concern in the corn-trade carried on
by his family, the greatest business of the kind in the world, perhaps,
and--for this was an open secret--had been baptized.
The body of the maiden, when embalmed and graced with her portrait, was
to be transported to the family tomb in the district of Arsinoe, where
they had large possessions, and the gossip of the embalmer was eagerly
swallowed as he expatiated on the splendor with which her liberal father
proposed to escort her thither.
Alexander and Melissa had entered the portrait-gallery before the
beginning of this narrative, and listened to it, standing behind several
rows of gazers who were between them and the portrait.
As the speaker ceased, the little crowd broke up, and when Melissa could
at last see her brother's work at her ease, she stood speechless for some
time; and then she turned to the artist, and exclaimed, from the depths
of her heart, "Beauty is perhaps the noblest thing in the world!"
"It is," replied Alexander, with perfect assurance. And he, bewitched
once more by the spell which had held him by Korinna's couch, gazed into
the dark eyes in his own picture, whose living glance his had never met,
and which he nevertheless had faithfully reproduced, giving them a look
of the longing of a pure soul for all that is lovely and worthy.
Melissa, an artist's daughter, as she looked at this portrait, understood
what it was that had so deeply stirred her brother while he painted it;
but this was not the place to tell him so. She soon tore herself away,
to look about for Philip once more and then to be taken home.
Alexander, too, was seeking Philip; but, sharp as the artist's eyes were,
Melissa's seemed to be keener, for, just as they were giving it up and
turning to go, she pointed to a dark corner and said softly, "There he
is."
And there, in fact, her brother was, sitting with two men, one very tall
and the other a little man, his brow resting on his hand in the deep
shadow of a sarcophagus, between the wall and a mummy-case set on end,
which till now had hidden him from Alexander and Melissa.
Public-domain text, read in full here on John Shaqi.
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