A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
"Oh, we still do business," says Dutch. "Human nature is slow to decline
and there are people who still realize that if you got a handsome watch
what do you want to do to it? Engrave it, ain't it? And if you got a
handsome skin, what then? Tattoo, naturally. And we tattoo in seven colors
now where it used to be three, and use electricity. Do you think it's
crazy? Well, you should see who I used to tattoo in the old days. Read the
article on the wall. As for being crazy, what do you say about the man who
spends his last 50 cents to get into a baseball game, and gets excited and
throws his only hat in the air and loses it, and the man who sits all day
and all night with a fishpole on the pier and don't catch any fish? Yes,
like I tell the judge who picked us up one day in Iowa, you know how they
do sometimes when you follow the carnival. And he asks me why I shouldn't
go to jail, and if tattooing ain't crazy, and I says give me three minutes
and I prove my case. And I begin with the Romans, and how they was the
brightest people we knew, and how they went in for tattooing, and how
Columbus was tattooed, and all the sailors that was bright enough to
discover America was tattooed, also. Then I say, what if Charlie Ross was
tattooed? Would he be lost to-day? And what if he had under his name the
word Philadelphia? And in addition to that the date where he was born and
his address and so on. Would he be lost then? 'You see,' I says, 'a man
can't be tattooed enough for his own good,' and the judge says I win my
case."
* * * * *
The automatic piano plays "Over There" and the shooting gallery rifles pop
too insistently for a moment. Dutch contemplates a plug of fresh tobacco.
Then he resumes. This time a more intimate tale--the story of his
romance--a weird, grotesque amour with a gaudy can-can obbligato.
"Long ago," Dutch whispers; "yeh, I knew all the girls. I tattoned them
all. And I live in this street for thirty years now. But nobody is
interested any more in what used to be. How this street has become
different! Ach, it is gone, all gone. Everything. Tattooing hangs on a
little. Human nature demand it. But human nature is dying likewise. Yeh, I
ask you what would old Barnum say if he should come back and see me
sitting here? Me, who was as good any day as Capt. Constantinus? I hate to
think what. In those days talent counted. If you could sing or dance or
tattoo it meant something. Now what does it mean? Look at the dancers and
singers they have, and who is there that tattooes any more? It's all gone
to smash, the whole world."
* * * * *
Public-domain text, read in full here on John Shaqi.
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