A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
Now amid the popping of the rifles and the tinny whanging of the piano
Dutch draws forth a final package. He unwraps a yellowed newspaper.
Photographs. One by one he shuffles them out and arranges them on the
broken desk as if in some pensive game of solitaire. There is Dutch when
he was a boy, when he was a sailor, when he grew up and became a world
famous tattooer. There is Dutch surrounded by queens of the Midway, Dutch
with his arms debonairly thrown round the shoulders of snake charmers and
other bizarre and vanished contemporaries. The photographs are yellowed.
They make a curious collection. They make the soulless piano sound a bit
softer. A "where are the snows of yesteryear" motif played on a can-can
fife.
Finally a modern photo in a folder, unyellowed. A smiling, wholesome faced
girl. Here Dutch pauses in his game of solitaire and looks in silence.
"My daughter," he says finally. "I sent her through college. Yeh, she's
graduated now and has a fine job. I help her all I can. What? Is she
tattooed?"
The world's greatest tattoo artist bristles and glowers at the designs on
the walls, frowns at the cupids, nymphs, anchors, dragons and butterflies.
"I should say not," he mutters. "She don't belong in this street, not
here. She's got a different life, and I help her all I can and she likes
me. No, sir, in this street belongs only those who have a long memory. The
new ones should start somewhere else. Not, mind you, that tattooing ain't
good enough for anybody. But times have changed."
The piano obliges with "The Blue Danube." A customer saunters in. Dutch is
all business. The electricity is switched on. A blue spark crackles. Dutch
clears his throat and slaps the customer proudly on the back.
"Only a little more to go," he explains, "all over. Two more ships at sea
and three dragons will do the job, Heinie. And then, h'm, you will get a
job any day in any side show, I can guarantee you that."
Heinie grins hopefully.
THE THING IN THE DARK
It has the usual Huron street ending. Emergency case. Psychopathic
hospital. Dunning. But the landlady talked to the police sergeant. The
landlady was curious. She wanted the police sergeant to tell her
something. And the police sergeant, resting his chin on his elbow, leaned
forward on his high stool and peered through the partition window at the
landlady--and said nothing. Or rather, he said: "don't know. That's the
way with people sometimes. They get afraid."
This man came to Mrs. Balmer's rooming-house in Huron Street when it was
spring. He was a short, stocky man with a leathery face and little eyes.
He identified himself as Joseph Crawford, offered to pay $5 a week for a
12 by 12 room on the third floor at the rear end of the long gloomy
hallway and arrived the next day at Mrs. Balmer's faded tenement with an
equally faded trunk. Nothing happened.
Public-domain text, read in full here on John Shaqi.
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