A Thousand and One Afternoons in Chicago — John Shaqi
A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
"What, suh? You is! Sam, fetch the gen'leman some o' the firewater, the
non-company brand, Sam. All right, say when. Aw, shucks, that ain't enough
to wet a cat's whiskers. Say when again. There, tha's better. Here, Sam.
You got to help drink this. It's important. The gen'leman says if I will
wait a little while, jes' a little while, he is goin' to alter his
depahtment on the newspaper. Wasn't that it? Oh, I see. In the magazine.
Very well. Here's to what you says about me some day in the magazine. An'
when you writes it don't forget to mention somewhere along in it how when
I was playin' in San Francisco and Sarah Bernhardt was playin' there, and
this was years ago, don' forget to mention along with what you write about
mah singin' and actin' that I come to mah dressing room one evenin', in
Frisco, and there's the hugest box o' flowers you ever saw with mah name
on it. An' I open it up and, boy! There plain as the nose on your face is
a card among the flowers readin', 'to a fellow artist, from Sarah
Bernhardt.' And--whilst we are, so to speak, on the subjeck--you can put
in likewise what Eleanora Duse said o' me. You know who she is, I suppose,
the very most superlative genius o' the stage, suh. Yes, suh, the very
most. An' she says o' me when she went back to Italy, how I was the best
artist on the American stage.
"Artist! Tha' always makes Sam laugh, don't it, Sam, when he heahs me
refuhed to as artist. An'--have another beaker o' firewater, suh. It's
strictly non-company brand. An' here's how again to tha' day you speak of
when you write this article about me. An', boy, make it soon, 'cause this
life, this sinful theat'ical life, is killin' me fast. But I'll try an'
wait. Here's howdy."
* * * * *
He didn't wait. And today a lazy, crooked grin and a dolorous-eyed black
face drift among the shades in the Valhalla where the Great Actors sit
reading their press notices to one another. The Great Actors who have died
since the day of Euripides--they sit around in their favorite make-ups in
the Valhalla reserved for all good and glorious Thespians.
A company of ladies and gentlemen that would make Mr. Belasco's heart stop
beating! The Booths and Barretts from antiquity down, the Mrs. Siddonses
and Pattis, the Cyranos, Hamlets, buffoons and heroes. All of them in
their favorite make-ups, in their favorite cap and bells, their favorite
swords, their favorite doublet and hose--all of them sit around in the
special Valhalla of the Great Actors reading their press notices to one
another and listening to the hosannas of such critics as have managed to
pry into the anterior heaven.
Public-domain text, read in full here on John Shaqi.
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