A deplorable street--a cement and plate glass Circe. We walk--a long procession of us. It is curious to note how we adjust ourselves to backgrounds. In other streets we are hurried, flurried, worried. We summon portentous frowns to our faces. Our arms swinging at our sides proclaim, "Make way, make way! We are launched upon activities vital to the commonwealth!" But here--the sun bursts a shower of little golden balloons from the high windows. The green of a park makes a cool salaam to the beetle-topped traffic of automobiles. Rubber tires roll down the wide avenue and make a sound like the drawn-out striking of a match. Marble columns, fountains, incompleted architectural elegancies, two sculptured lions and the baffling effulgence of a cinder-veiled museum offer themselves like pensively anonymous guests. And we walk like Pierrots and Pierrettes, like John Drews and Jack Barrymores and Leo Ditrichsteins; like Nazimovas, Patricia Collinges and Messalinas on parole. * * * * * I have squandered an afternoon seduced from labors by this Pied Piper of a street. And not only I but everybody I ever knew or heard of was in this street, strutting up and down as if there were no vital projects demanding their attention, as if life were not a stern and productive routine. And where was the Rotary Club? Not a sign of the Rotary Club. One billboard would have saved me; the admonitions that "work is man's duty to his nation," that my country needed me as much in peace as in war, would have scattered the insidious spell of this street and sent me back to the typewriter with at least a story of some waiter in a loop beanery who was once a reigning prince of Patagonia. But there was no sign, no billboard to inspire me with a sense of duty. So we strutted--the long procession of us--a masquerade of leisure and complacency. Here was a street in which a shave and a haircut, a shine and a clean collar exhilarated a man with a feeling of power and virtue. As if there were nothing else to the day than to decorate himself for the amusement of others. There were beggars in the street but they only add by way of contrast to the effulgence of our procession. And, besides, are they beggars? Augustus Caesar attired himself in beggar's clothes one day each year and asked alms in the highways of Rome. * * * * * I begin to notice something. An expression in our faces as we drift by the fastidious ballyhoos of the shop windows. We are waiting for something--actors walking up and down in the wings waiting for their cues to go on. This is intelligible. This magician of a street has created the illusion in our heads that there are adventure and romance around us.