A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
The Man Hunt
The Man With A Question
The Mother
The Pig
The Snob
The Soul of Sing Lee
The Sybarite
The Tattooer
The Thing In The Dark
The Watch Fixer
The Way Home
Thumbnail Lotharios
Thumbs Up and Down
To Bert Williams
Vagabondia
Waterfront Fancies
Where The "Blues" Sound
World Conquerors
FANNY
Why did Fanny do this? The judge would like to know. The judge would like
to help her. The judge says: "Now, Fanny, tell me all about it."
All about it, all about it! Fanny's stoical face stares at the floor. If
Fanny had words. But Fanny has no words. Something heavy in her heart,
something vague and heavy in her thought--these are all that Fanny has.
Let the policewoman's records show. Three years ago Fanny came to Chicago
from a place called Plano. Red-cheeked and black-haired, vivid-eyed and
like an ear of ripe corn dropped in the middle of State and Madison
streets, Fanny came to the city.
Ah, the lonely city, with its crowds and its lonely lights. The lonely
buildings busy with a thousand lonelinesses. People laughing and hurrying
along, people eager-eyed for something; summer parks and streets white
with snow, the city moon like a distant window, pretty gewgaws in the
stores--these are a part of Fanny's story.
The judge wants to know. Fanny's eyes look up. A dog takes a kick like
this, with eyes like this, large, dumb and brimming with pathos. The dog's
master is a mysterious and inexplicable dispenser of joys and sorrows. His
caresses and his beatings are alike mysterious; their reasons seldom to be
discerned, never fully understood.
Sometimes in this court where the sinners are haled, where "poised and
prim and particular, society stately sits," his honor has a moment of
confusion. Eyes lift themselves to him, eyes dumb and brimming with
pathos. Eyes stare out of sordid faces, evil faces, wasted faces and say
something not admissible as evidence. Eyes say: "I don't know, I don't
know. What is it all about?"
These are not to be confused with the eyes that plead shrewdly for mercy,
with eyes that feign dramatic naïvetés and offer themselves like primping
little penitents to his honor. His honor knows them fairly well. And
understands them. They are eyes still bargaining with life.
But Fanny's eyes. Yes, the judge would like to know. A vagueness comes
into his precise mind. He half-hears the familiar accusation that the
policeman drones, a terribly matter-of-fact drone.
Another raid on a suspected flat. Routine, routine. Evil has its eternal
root in the cities. A tireless Satan, bored with the monotony of his rôle;
a tireless Justice, bored with the routine of tears and pleadings, lies
and guilt.
Public-domain text, read in full here on John Shaqi.
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