A Thousand and One Afternoons in ChicagoHecht, Ben
General
A Thousand and One Afternoons in Chicago
Hecht, Ben
Chicago (Ill.) -- Literary collections; Hecht, Ben, 1893-1964 -- Homes and haunts -- Illinois -- Chicago
"I didn't know how to fix it or how to head her out of it. For a month I
didn't have the heart to disillusion her. I let her buy. Damn it, I never
saw such an absolute boob as she was. She'd pick out the most worthless
junk I was knocking down and go mad over it and buy it with my good money.
It got so that I realized I was slipping. I'd get a promise from her that
she wouldn't come into the auction, but I never could be sure. And if I
felt like cutting loose on some piece of junk and knocking it down with a
lot of flourishes I knew sure as fate that the missus would be there and
that she would be the fish that caught fire first and most and that I'd be
selling the thing to myself.
"Well, after the first two months of my married life I realized that I'd
have to talk turkey to the missus. She was costing me my last nickel at
these auctions and the better auctioneer I was the more money I lost, on
account of her being so susceptible to my line of stuff. It sounds funny,
but it's a fact. So I told her. I made a clean breast. I told her what a
liar I was and how all the stuff I pulled from the auction stand was the
bunk and how she was a boob for falling for it. And so on and so on. Say,
I sold myself to her as the world's greatest, all around, low down,
hideous liar that ever walked in shoe leather. And that's how it started.
This divorce today is kind of an anti-climax. We ain't had much to do with
each other ever since that confession."
Mr. Ludlow stared sorrowfully into the remains of a glass of juniper
juice.
"I'll never marry again," he moaned. "I ain't the kind that makes a good
husband. A good husband is a man who is just an ordinary liar. And me?
Well, I'm an auctioneer."
FOG PATTERNS
The fog tiptoes into the streets. It walks like a great cat through the
air and slowly devours the city.
The office buildings vanish, leaving behind thin pencil lines and smoke
blurs. The pavements become isolated, low-roofed corridors. Overhead the
electric signs whisper enigmatically and the window lights dissolve.
The fog thickens till the city disappears. High up, where the mists thin
into a dark, sulphurous glow, roof bubbles float. The great cat's work is
done. It stands balancing itself on the heads of people and arches its
back against the vanished buildings.
* * * * *
I walk along thinking about the way the streets look and arranging
adjectives in my mind. In the heavy mist people appear detached. They no
longer seem to belong to a pursuit in common. Usually the busy part of the
city is like the exposed mechanism of some monstrous clock. And people
scurry about losing themselves in cogs and springs and levers.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account