A Thousand Francs Reward; and, Military Sketches — John Shaqi
A Thousand Francs Reward; and, Military SketchesGaboriau, Emile
History
A Thousand Francs Reward; and, Military Sketches
Gaboriau, Emile
Detective and mystery stories; France. Armée -- Military life; French fiction -- Translations into English
But the foot-soldier would be a body without a soul, if he had no
countrywoman. The payse, as he styles her, has been created for the
fantassin, as the fantassin has been created for the payse. They love
and understand each other. He accompanies the payse, who is usually a
child’s nurse, in her walks; he assists her in watching the children,
when he does not prevent her from watching them; on the promenade, the
fantassin seats himself near the payse and pours sweet nothings into her
ears, while the children play on the gravel-walk. “Honi soit qui mal y
pense!”
In spite of the fatigue that results from it, the foot-soldier loves
a change of garrison. He goes cheerfully from one end of France to the
other, singing as he plods along. Every day, before two o’clock, his
legs fail him, which does not prevent him from strolling around to see
the curiosities of the neighborhood as soon as he reaches the town where
he is to spend the night.
The _billet_ troubles the soldier a little. It is like a ticket in
a lottery. Some are very good, some are bad. As a general thing, the
soldier is cordially received; though the contrary happens sometimes. So
far as the fantassin is concerned, he hardly ever abuses the hospitality
accorded him. The _billet_ is considered very good when the people of
the house invite the soldier to share their dinner. It is a saving of
time and of money for him. The fantassin is overjoyed, and to repay his
entertainers, he tells them his history.
When his term of service expires and he returns to his fireside, the
soldier does not presume upon his superiority. He talks freely but
not boastingly of his travels and campaigns. He always finds attentive
auditors, for we all love and respect the old defenders of France.
Some accuse the fantassin of being too unsophisticated; there are
occasions when simplicity of speech is the height of eloquence.
“What were you doing at Solferino?” some one once asked a soldier.
“I?--I was doing like the rest--killing and being killed,” he replied
modestly.
Sublimely artless speech in which is summed up all the philosophy of
war.
THE SOLDIER OF THE LIGHT INFANTRY;
OR, THE CHASSEUR.
He does not walk; he runs; he is truly the soldier of his age--an age of
steam. He comes from Vincennes to Paris in thirty-five minutes; it takes
a first class _fiacre_ just twice as long.
The light infantry has given abundant proofs of courage. It was in
Africa, in 1842, that it received the baptism of fire, a glorious
baptism.
From the very first the chasseurs inspired the Arabs with unconquerable
terror. It is true that everything combines to give them a frightful
appearance in battle; their somber costume, their strange evolutions,
the shrill sound of their trumpets, make them resemble, seen in the
midst of the smoke, a legion of unchained devils.
When the Arabs saw them advancing on the run they took flight.
Public-domain text, read in full here on John Shaqi.
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