Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
We would have given much to trace the river to its source and search for
this unknown temple in the desert. But it is one of the misfortunes of
this kind of traveling that one cannot easily turn aside from the beaten
track. The hot season is approaching; the river is running low; the
daily cost of the dahabeeyah is exorbitant; and, in Nubia, where little
or nothing can be bought in the way of food, the dilatory traveler risks
starvation. It was something, however, to have seen with one’s own eyes
that the Nile, instead of flowing for a distance of twelve hundred
miles unfed by any affluent, had here received the waters of a
tributary.[157]
To those who have a south breeze behind them the temples must now follow
in quick succession. We, however, achieved them by degrees and rejoiced
when our helpless dahabeeyah lay within rowing reach of anything worth
seeing. Thus we pull down one day to Maharrakeh--in itself a dull ruin
but picturesquely desolate. Seen as one comes up the bank on landing,
two parallel rows of columns stand boldly up against the sky, supporting
a ruined entablature. In the foreground a few stunted Dôm palms starve
in an arid soil. The barren desert closes in the distance.
We are beset here by an insolent crowd of savage-looking men and boys
and impudent girls with long frizzy hair and Nubian fringes, who pester
us with beads and pebbles; dance, shout, slap their legs and clap their
hands in our faces; and pelt us when we go away. One ragged warrior
brandishes an antique brass-mounted firelock full six feet long in the
barrel; and some of the others carry slender spears.
The temple--a late Roman structure--would seem to have been wrecked by
an earthquake before it was completed. The masonry is all in the
rough--pillars as they came from the quarry; capitals blocked out,
waiting for the carver. These unfinished ruins--of which every stone
looks new, as if the work was still in progress--affect one’s
imagination strangely. On a fallen wall south of the portico[158] the
idle man detected some remains of a Greek inscription; but for
hieroglyphic characters or cartouches, by which to date the building, we
looked in vain.[159]
Dakkeh comes next in order; then Gerf Hossayn, Dendoor and Kalebsheh.
Arriving at Dakkeh soon after sunrise we find the whole
population--screaming, pushing, chattering, laden with eggs, pigeons and
gourds for sale--drawn up to receive us. There is a large sand island in
the way here, so we moor about a mile above the temple.
Public-domain text, read in full here on John Shaqi.
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