Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
We first saw the twin pylons of Dakkeh some weeks ago from the deck of
the Philæ and we then likened them to the majestic towers of Edfu.
Approaching them now by land, we are surprised to find them so small. It
is a brilliant, hot morning; and our way lies by the river, between the
lentil-slope and the castor-berry patches. There are flocks of pigeons
flying low overhead; barking dogs and crowing cocks in the village close
by; and all over the path hundreds of beetles--real live scarabs, black
as coal and busy as ants--rolling their clay pellets up from the water’s
edge to the desert. If we were to examine a score or so of these pellets
we should here and there find one that contained no eggs; for it is a
curious fact that the scarab-beetle makes and rolls her pellets, whether
she has an egg to deposit or not. The female beetle, though assisted by
the male, is said to do the heavier share of the pellet-rolling; and if
evening comes on before her pellet is safely stowed away, she will
sleep, holding it with her feet all night, and resume her labor in the
morning.[160]
The temple here--begun by an Ethiopian king named Arkaman (Ergamenes)
about whom Diodorus has a long story to tell, and carried on by the
Ptolemies and Cæsars--stands in a desolate open space to the north of
the village, and is approached by an avenue, the walls of which are
constructed with blocks from some earlier building. The whole of this
avenue and all the waste ground for three or four hundred yards round
about the temple is not merely strewn, but piled, with fragments of
pottery, pebbles and large, smooth stones of porphery, alabaster,
basalt, and a kind of marble like verde antico. These stones are
puzzling. They look as if they might be fragments of statues that had
been rolled and polished by ages of friction in the bed of a torrent.
Among the potsherds we find some inscribed fragments like those of
Elephantine.[161] Of the temple I will only say that, as masonry, it is
better put together than any work of the eighteenth or nineteenth
dynasties with which I am acquainted. The sculptures, however, are
atrocious. Such misshapen hieroglyphs; such dumpy, smirking goddesses;
such clownish kings in such preposterous head-dresses, we have never
seen till now. The whole thing, in short, as regards sculpturesque
style, is the Ptolemaic out-Ptolemied.
Rowing round presently to Kobban--the river running wide with the sand
island between--we land under the walls of a huge crude brick structure,
black with age, which at first sight looks quite shapeless; but which
proves to be an ancient Egyptian fortress, buttressed, towered,
loop-holed, finished at the angles with the invariable molded torus, and
surrounded by a deep dry moat, which is probably yet filled each summer
by the inundation.
Public-domain text, read in full here on John Shaqi.
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