Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
The side-chambers at Gerf Hossayn are infested with bats. These bats are
the great sight of the place and have their appointed showman. We find
him waiting for us with an end of tarred rope, which he flings, blazing,
into the pitch-dark doorway. For a moment we see the whole ceiling hung,
as it were, with a close fringe of white, filmy-looking pendants. But it
is only for a moment. The next instant the creatures are all in motion,
dashing out madly in our faces like driven snowflakes. We picked up a
dead one afterward, when the rush was over, and examined it by the outer
daylight--a lovely little creature, white and downy, with fine
transparent wings and little pink feet and the prettiest mousey mouth
imaginable.
Bordered with dwarf palms, acacias and henna-bushes, the cliffs between
Gerf Hossayn and Dendoor stand out in detached masses so like ruins that
sometimes we can hardly believe they are rocks. At Dendoor, when the sun
is setting and a delicious gloom is stealing up the valley, we visit a
tiny temple on the western bank. It stands out above the river
surrounded by a wall of inclosure and consists of a single pylon, a
portico, two little chambers and a sanctuary. The whole thing is like an
exquisite toy, so covered with sculptures, so smooth, so new-looking, so
admirably built. Seeing them half by sunset, half by dusk, it matters
not that these delicately wrought bas-reliefs are of the decadence
school.[164] The rosy half-light of an Egyptian after-glow covers a
multitude of sins, and steeps the whole in an atmosphere of romance.
Wondering what has happened to the climate, we wake shivering next
morning an hour or so before break of day, and, for the first time in
several weeks, taste the old, early chill upon the air. When the sun
rises, we find ourselves at Kalabsheh, having passed the limit of the
tropic during the night. Henceforth, no matter how great the heat may be
by day, this chill invariably comes with the dark hour before dawn.
The usual yelling crowd, with the usual beads, baskets, eggs, and
pigeons, for sale, greets us on the shore at Kalabsheh. One of the men
has a fine old two-handed sword in a shabby blue velvet sheath, for
which he asks five napoleons. It looks as if it might have belonged to a
crusader. Some of the women bring buffalo-cream in filthy-looking black
skins slung round their waists like girdles. The cream is excellent; but
the skins temper one’s enjoyment of the unaccustomed dainty.
Public-domain text, read in full here on John Shaqi.
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