Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
By a curious accident, L---- and the writer once actually penetrated
into a forger’s workshop. Not knowing that it had been abolished, we
went to a certain house in which a certain consulate had once upon a
time been located and there knocked for admission. An old deaf fellâha
opened the door and after some hesitation showed us into a large
unfurnished room with three windows. In each window there stood a
workman’s bench strewn with scarabs, amulets and funerary statuettes in
every stage of progress. We examined these specimens with no little
curiosity. Some were of wood; some were of limestone; some were partly
colored. The colors and brushes were there; to say nothing of files,
gravers and little pointed tools like gimlets. A magnifying glass of the
kind used by engravers lay in one of the window recesses. We also
observed a small grindstone screwed to one of the benches and worked by
a treadle; while a massive fragment of mummy-case in a corner behind the
door showed whence came the old sycamore wood for the wooden specimens.
That three skilled workmen furnished with European tools had been busy
in this room shortly before we were shown into it was perfectly clear.
We concluded that they had just gone away to breakfast.
Meanwhile we waited, expecting to be ushered into the presence of the
consul. In about ten minutes, however, breathless with hurrying, arrived
a well-dressed Arab whom we had never seen before. Distracted between
his oriental politeness and his desire to get rid of us, he bowed us out
precipitately, explaining that the house had changed owners and that the
power in question had ceased to be represented at Luxor. We heard him
rating the old woman savagely, as soon as the door had closed behind us.
I met that well-dressed Arab a day or two after, near the governor’s
house, and he immediately vanished round the nearest corner.
Public-domain text, read in full here on John Shaqi.
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