Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
We had just finished dinner when they began. First came a prolonged wail
that swelled, and sank, and swelled again, and at last died away. This
was the principal singer leading off with the keynote. The next followed
suit on the third of the key; and finally all united in one long,
shrill, descending cry, like a yawn, or a howl, or a combination of
both. This, twice repeated, preluded their performance and worked them
up, apparently, to the necessary pitch of musical enthusiasm. The primo
tenore then led off in a quavering roulade, at the end of which he slid
into a melancholy chant, to which the rest sang chorus. At the close of
each verse they yawned and howled again; while the singer, carried away
by his emotions, broke out every now and then into a repetition of the
same amazing and utterly indescribable vocal wriggle with which he had
begun. Whenever he did this, the rest held their breath in respectful
admiration and uttered an approving “Ah!”--which is here the customary
expression of applause.
We thought their music horrible that first night, I remember; though we
ended, as I believe most travelers do, by liking it. We, however, paid
them the compliment of going upon deck and listening to their
performance. As a night-scene, nothing could be more picturesque than
this group of turbaned Arabs sitting in a circle, cross-legged, with a
lantern in their midst. The singer quavered; the musicians thrummed; the
rest softly clapped their hands to time and waited their turn to chime
in with the chorus. Meanwhile the lantern lit up their swarthy faces and
their glittering teeth. The great mast towered up into the darkness. The
river gleamed below. The stars shone overhead. We felt we were indeed
strangers in a strange land.
CHAPTER IV.
SAKKARAH AND MEMPHIS.
Having arrived at Bedreshayn after dark and there moored for the night,
we were roused early next morning by the furious squabbling and
chattering of some fifty or sixty men and boys, who, with a score or two
of little rough-coated, depressed-looking donkeys, were assembled on the
high bank above. Seen thus against the sky, their tattered garments
fluttering in the wind, their brown arms and legs in frantic movement,
they looked like a troop of mad monkeys let loose. Every moment the
uproar grew shriller. Every moment more men, more boys, more donkeys
appeared upon the scene. It was as if some new Cadmus had been sowing
boys and donkeys broadcast and they had all come up at once for our
benefit.
Public-domain text, read in full here on John Shaqi.
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