Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
We had the pleasure of becoming acquainted with a good many saints in
the course of our eastern travels; but I do not know that we ever found
they had done anything to merit the position. One very horrible old man
named Sheik Saleem has, it is true, been sitting on a dirt heap near
Farshût, unclothed, unwashed, unshaven, for the last half-century or
more, never even lifting his hand to his mouth to feed himself; but
Sheik Cotton had gone to no such pious lengths, and was not even dirty.
We are by this time drawing toward a range of yellow cliffs that have
long been visible on the horizon, and which figure in the maps as Gebel
et Tâyr. The Arabian desert has been closing up on the eastern bank for
some time past and now rolls on in undulating drifts to the water’s
edge. Yellow bowlders crop out here and there above the mounded sand,
which looks as if it might cover many a forgotten temple. Presently the
clay bank is gone and a low barrier of limestone rock, black and shiny
next the water-line, has taken its place. And now, a long way ahead,
where the river bends and the level cliffs lead on into the far
distance, a little brown speck is pointed out as the Convent of the
Pulley. Perched on the brink of the precipice it looks no bigger than an
ant-heap. We had heard much of the fine view to be seen from the
platform on which this convent is built, and it had originally entered
into our programme as a place to be visited on the way. But Minieh has
to be gained now at all costs; so this project has to be abandoned with
a sigh.
And now the rocky barrier rises higher, quarried here and there in
dazzling gaps of snow-white cuttings. And now the convent shows clearer;
and the cliffs become loftier; and the bend in the river is reached; and
a long perspective of flat-topped precipice stretches away into the dim
distance.
It is a day of saints and swimmers. As the dahabeeyah approaches, a
brown poll is seen bobbing up and down in the water a few hundred yards
ahead. Then one, two, three bronze figures dash down a steep ravine
below the convent walls, and plunge into the river--a shrill chorus of
voices, growing momentarily more audible, is borne upon the wind--and in
a few minutes the boat is beset by a shoal of mendicant monks,
vociferating with all their might “_Ana Christian ya Hawadji!--Ana
Christian ya Hawadji!_” (“I am a Christian, oh, traveler!”) As these are
only Coptic monks and not Moslem santons, the sailors, half in rough
play, half in earnest, drive them off with punting poles; and only one
shivering, streaming object, wrapped in a borrowed blanket, is allowed
to come on board. He is a fine, shapely man, aged about forty, with
splendid eyes and teeth, a well-formed head, a skin the color of a
copper beech-leaf, and a face expressive of such ignorance, timidity,
and half-savage watchfulness as makes one’s heart ache.
Public-domain text, read in full here on John Shaqi.
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