Egypt -- Description and travel; Egypt -- History -- 19th century; Nile River -- Description and travel
The way was long, the day was hot, and we had only the map to go by.
Having climbed the steep bank and skirted an extensive palm-grove, we
found ourselves in a country without paths or roads of any kind. The
soil, squared off as usual like a gigantic chess-board, was traversed by
hundreds of tiny water-channels, between which we had to steer our
course as best we could. Presently the last belt of palms was
passed--the plain, green with young corn and level as a lake, widened
out at the foot of the mountains--and the temple, islanded in that sea
of rippling emerald, rose up before us upon its platform of blackened
mounds.
It was still full two miles away; but it looked enormous--showing from
this distance as a massive, low-browed, sharply defined mass of
dead-white masonry. The walls sloped in slightly toward the top; and the
façade appeared to be supported on eight square biers, with a large
doorway in the center. If sculptured ornament, or cornice, or pictured
legend enriched those walls, we were too far off to distinguish them.
All looked strangely naked and solemn--more like a tomb than a temple.
Nor was the surrounding scene less deathlike in its solitude. Not a
tree, not a hut, not a living form broke the green monotony of the
plain. Behind the temple, but divided from it by a farther space of
mounded ruins, rose the mountains--pinky, aerial, with sheeny
sand-drifts heaped in the hollows of their bare buttresses and spaces of
soft blue shadow in their misty chasms. Where the range receded, a long
vista of glittering desert opened to the Libyan horizon.
Then as we drew nearer, coming by and by to a raised causeway which
apparently connected the mounds with some point down by the river, the
details of the temple gradually emerged into distinctness. We could now
see the curve and under shadow of the cornice; and a small object in
front of the façade, which looked at first sight like a monolithic
altar, resolved itself into a massive gateway, of the kind known as a
single pylon. Nearer still, among some low outlying mounds, we came upon
fragments of sculptured capitals and mutilated statues half-buried in
rank grass--upon a series of stagnant niter-tanks and deserted
workshops--upon the telegraph poles and wires which here come striding
along the edge of the desert and vanish southward with messages for
Nubia and the Soudan.
Public-domain text, read in full here on John Shaqi.
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