A Thrilling Narrative of the Minnesota Massacre and the Sioux War of 1862-63: Graphic Accounts of the Siege of Fort Ridgely, Battles of Birch Coolie, Wood Lake, Big Mound, Stony Lake, Dead Buffalo Lake and Missouri RiverConnolly, A. P. (Alonzo P.)
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A Thrilling Narrative of the Minnesota Massacre and the Sioux War of 1862-63: Graphic Accounts of the Siege of Fort Ridgely, Battles of Birch Coolie, Wood Lake, Big Mound, Stony Lake, Dead Buffalo Lake and Missouri River
Connolly, A. P. (Alonzo P.)
Dakota Indians -- Wars -- 1862-1865
Father Ravoux, a Catholic priest from St. Paul, remained with them all
night administering consolation and communion, and the more serious of
them listened attentively to his words of comfort. In the morning, as
the hour for the execution approached, and while Father Ravoux was
speaking to the Indians, the provost marshal entered and whispered
something to the good priest, who in turn spoke in French to one of the
half-breeds, and he repeated it in Dakota to the Indians, who were all
lying down around the prison. The information he gave was that the hour
had arrived when they were to march to the gallows. In a moment every
Indian stood erect, and as the provost marshal opened the door they fell
in behind him with the greatest alacrity. Indeed, a notice of release,
pardon or reprieve could not have induced them to leave their cells with
more apparent willingness than this call to death. At the foot of the
steps there was no delay. Captain Redfield mounted the drop, at the head,
and the Indians crowded after him, as if it were a race to see who would
get there first. They actually crowded on each other's heels, and as they
got to the top, each took his position, without any assistance from those
who were detailed for that purpose. They still kept up a mournful wail,
and occasionally there would be a piercing scream. The ropes were soon
arranged around their necks without the least opposition being offered.
The white caps, which had been placed on the tops of their heads, were
now drawn down over their faces, shutting out forever the light of day
from their eyes. Then ensued a scene that can hardly be described and can
never be forgotten. All joined in shouting and singing, as it appeared
to those who were ignorant of the language. The tones seemed somewhat
discordant, and yet there was harmony in it. It was not their voices
alone, but their bodies swayed to and fro, and their every limb seemed to
be keeping time. The drop trembled and shook as if all were dancing. The
most touching scene on the drop was their attempt to grasp each other's
hands, fettered as they were. They were very close to each other, and
many succeeded. Three or four in a row were hand in hand, and all hands
swaying up and down with the rise and fall of their voices. One old man
reached out on each side, but could not grasp a hand; his struggles were
piteous and affected many beholders.
Those who understood their manners and language said that their singing
and shouting was necessary to sustain each other. Each one shouted his
own name and called on the name of his friend, saying in substance: "I am
here! I am here!"
The supreme moment arrived, and amid an immense concourse of citizens and
soldiers the drop fell, and thirty-eight human beings, whose hands were
steeped in innocent blood and who had spread such desolation and sorrow
to thousands of happy homes, were ushered into the presence of their
Maker.
Public-domain text, read in full here on John Shaqi.
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