She was off again, and I knew that she would at once inquire of the
butcher, the baker and the candlestick-maker in regard to positions
suited to a young woman with a Murillo-face and a baby. I put on my hat
and went at once to Gordon's studio, facing Central Park. I was lucky
enough to find him in.
"Sit down and don't bother me," he said pleasantly. "I must use up the
last of this light."
Before him stood an easel with a wonderful portrait of a young woman
endowed with splendid neck and arms. He was working at some detail of
the gown, which the lady had evidently sent over for him, since the
garment was disposed about a large mannikin with a vacuous face. I
watched delightedly the sure touches with which he reproduced the sheen
of the silk. Gordon doesn't want to talk while he paints, pretending
that in order to do his best work a man must bend all his energies to
it, whether he is sawing wood or writing elegies.
"People wouldn't begin chatting to a fellow while he played Chopin," he
told me one day. "What right have they to disturb the harmonies in a
man's mind when he's creating melodies in color? Hang their
impertinence!"
I presume, however, that painting a silk dress was somewhat mechanical
work to him, for, after some minutes of silent toil, during which he
only stepped back once to survey his work, he began to speak. Like many
other people, he has not the slightest objection to the infringing of
his own rules. It only behooves others to obey them.
"That's Miss Sophia Van Rossum," he told me, taking his short pipe out
of his mouth and putting it down on his stool. "She's been coming in
from Southampton three times a week, to pose. Drives her own car, you
know, and has been arrested a dozen times for speeding. So I finished
the face and hands first, and now I'm sticking in the dress. Don't need
her for that."
"Very rich people, are they not?" I asked.
"You bet. Zinc and lead, I believe; the old man made it in. Fine buxom
creature, isn't she? And mighty good hearted in her way. She hasn't much
more brains than a linnet, I think, and she swims and rows and shoots.
Golf and tennis, too. Found her rather hard to paint, because it's
difficult for her to keep still. Keeps on asking indignantly why I put
blue on her nose, and reaching out for the box of chocolates. I told her
last time I couldn't paint her with one cheek all bulged out with
_pralines_. It made her laugh, and I lost fifteen minutes before I could
quiet her down."
He worked hard for another ten minutes, during which I considered that
he was rather severe on the young lady, or else had idealized her, which
is not a habit of his. To me she looks kindly and not a bit
unintelligent, a rather fine specimen of the robustious modern young
woman. Gordon picked up his brushes.
"That'll do," he said. "The light is changing. Now what the devil do you
want? Awfully glad to see you."
Public-domain text, read in full here on John Shaqi.
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