Rise to the top of the high hill which joins the deer park, and exhibits a scene equally extensive and beautiful; you look down on a vale which winds almost around at your feet, finishing to the left in Cork river, which here takes the appearance of a lake, bounded by wood and hills, and sunk in the bottom of a vale, in a style which painting cannot imitate; the opposite hills of Lota, wood, and lawn, seem formed as objects for this point of view: at your feet a hill rises out of the vale, with higher ones around it, the margins scattered wood; to the right, towards Riverstown, a vale; the whole backed by cultivated hills to Kallahan's field. Milder scenes follow: a bird's-eye view of a small vale sunk at your feet, through which the river flows; a bridge of several arches unites two parts of a beautiful village, the meadow grounds of which rise gently, a varied surface of wood and lawn, to the hills of Riverstown, the whole surrounded by delicious sweeps of cultivated hills. To the left a wooded glen rising from the vale to the horizon, the scenery sequestered, but pleasing; the oak wood which hangs on the deer-park hills, an addition. Down to the brow of the hill, where it hangs over the river, a picturesque interesting spot. The inclosures of the opposite bank hang beautifully to the eye, and the wooded glen winds up the hill. Returning to the house I was conducted to the hill, where the grounds slope off to the river of Cork, which opens to view in noble reaches of a magnitude that fills the eye and the imagination; a whole country of a character truly magnificent, and behind the winding vale which leads between a series of hills to Glanmire. Pictures at Dunkettle. A St. Michael, etc., the subject confused, by Michael Angelo. A St. Francis on wood, a large original of Guido. A St. Cecilia, original of Romanelli. An Assumption of the Virgin, by L. Carracci. A Quaker's meeting, of above fifty figures, by Egbert Hemskerk. A sea view and rock piece, by Vernet. A small flagellation, by Sebastian del Piombo. A Madonna and Child, small, by Rubens. The Crucifixion, many figures in miniature, excellent, though the master is unknown. An excellent copy of the famous Danae of Titian, at Monte Cavallo, near Naples, by Cioffi of Naples. Another of the Venus of Titian, at the Tribuna in Florence. Another of Venus blinding Cupid, by Titian, at the Palazzo Borghese in Rome. Another of great merit of the Madonna della Sedia of Raphael, at the Palazzo Pitti in Florence, by Stirn, a German, lately at Rome. Another of a Holy Family, from Raphael, of which there are said to be three originals, one at the king's palace in Naples, one in the Palais Royal in Paris, and the third in the collection of Lord Exeter, lately purchased at Rome. A portrait of Sir Patrick Trent, by Sir P. Lely. An excellent portrait of a person unknown, by Dahl.