A Tour Through Old ProvenceForrest, A. S. (Archibald Stevenson)
History
A Tour Through Old Provence
Forrest, A. S. (Archibald Stevenson)
Provence (France) -- Description and travel
The utilitarian engineer had but little regard for the architectural and
archæological amenities of this monument, and with ruthless hands
desecrated rich carvings and rare frescoes, timbered ceilings and
vaulted roofs; therefore a large expenditure of money, time, and skill
will be required to restore the Palace of the Popes to anything like its
former splendour.
The work of restoration is being carried out under the auspices of a
Government which is animated by a spirit very different from that of
many of its predecessors, and already the imposing audience hall and the
magnificent
[Illustration: ORANGE]
chapel above it have recovered much of their original appearance.
In the Tour Saint Jean are two chapels, one above the other, the upper
dedicated to Saint Martial, a bishop of Limoges, and the lower to the
Saint after whom the tower itself is named. These little chapels were
decorated in the time of Clement VI., about the year 1342.
In the ceiling of the chapel of Saint Martial the vaults are covered
with a series of pictures illustrating the life of the Saint. The colour
is in a brilliant state of preservation, the blues and warm browns being
contrasted so as to give a very rich yet soothing effect. The
irregularity of the designs, placed in an arbitrary fashion in the
spaces between the ribs, strikes one at first as being strangely
affected; but the figures are free and expressive in their action, some
of them being finished with a searching minuteness worthy of the Sienese
School at its best period. The ribs of the vault are decorated with most
beautiful Arabesque patterns, very suggestive of Byzantine mosaics.
In the lower chapel the ribwork is similar but not so elaborate in
detail, whilst the figures illustrating the life of St. John are on a
much larger scale. Unfortunately most of them are headless, a piece of
vandalism attributed to a Corsican regiment under the command of Colonel
Sebastiani, which was quartered in this part of the Palace. The
incentive was not mere wanton disfigurement of the paintings, for the
heads have all been neatly cut round, and most carefully removed, and
the assumption is, that the soldiers earned considerable pocket-money by
disposing of them to collectors. The Colonel has not been held blameless
in the matter, but probably overlooked the depredations of his men
because he enriched his own collection from the same source.
Public-domain text, read in full here on John Shaqi.
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