To follow the fortunes of the Des Baux family, the feudal chiefs of the surrounding country, is to dip deep into the history of Provence, for their names are constantly cropping up over divisions of land and inheritance by marriage with neighbouring and distant families. Suffice it to say that from the time of Count Leibulfe, who founded the house and lived probably in the eighth century, to that of Honoré Camille de Grimaldi, from whom the marquisate of Baux was taken by force during the Revolution, its princes have been related to nearly every great family in Europe. The Château, which has resisted many a siege, is of almost monolithic construction; its ramparts, towers, staircases, banqueting halls carved out of the rocks. The builders have made use of the natural foundations, and the result of the natural and artificial construction is one of the most fantastic castles that ever existed. [Illustration: Church at Château. Renard.] When René succeeded to the Barony of Baux the town was in a thriving condition, and in 1444 he set about putting the castle, much battered by successive sieges, into repair, restoring the ramparts and towers; and, internally furnishing it with all the resources the period could command, made it over to his second wife Jean de Laval for her lifetime. Old King René, artist, poet, and musician, found in Baux an ideal spot after his own heart. For nearly three centuries Baux had been a favourite rallying-place for the Troubadours and the ancient “Court of Love.” The records of the numerous wars and forays in which the Lords of Baux and their retainers were engaged have not, however, aroused the curious interest of later times so much as have the town’s romantic associations with the literature of the dark ages, written in the dialect of the Langue d’Oc, better known as Provençal. This language, which still lingers in the South of France, arose gradually out of the corrupted Roman dialects of the first centuries, throughout the colonies occupied by the conquering Empire of the West. The particular variety of dialect known as Provençal gained a wider celebrity than that spoken in Iberia, or in the districts north of the Loire. It was developed from the old Romance language, and about the eleventh or twelfth century was extensively in vogue among the cultured classes throughout Europe. A crop of poets sprang up in amazing profusion in the valley of the Rhone, and all who had pretensions to learning and refinement wrote in the language of Romance until well on into the fifteenth century, when a decay set in and other languages developed into more permanent and literary forms. The Provençal language, with its smooth and pleasant sounds, seemed eminently adapted to the feelings and voluptuous thoughts of a people who delighted in song, music, and the dance. [Illustration: DAUDET’S WIND·MILL.]