A Tour Through Old ProvenceForrest, A. S. (Archibald Stevenson)
History
A Tour Through Old Provence
Forrest, A. S. (Archibald Stevenson)
Provence (France) -- Description and travel
Cæsar, emulating and surpassing Marius in his campaigning zeal,
conquered all Gaul, and under him the first Roman colonies took a firm
hold upon the fertile regions in the valley of the Rhone. Arles became a
maritime town, which rivalled Marseilles itself. The Celtic inhabitants,
mixed strongly with the Phœnician element, were possessed of arts and
crafts almost as highly developed as those of the conquering Romans. The
city grew in importance until its population numbered 100,000. Traders
from all parts of the world flocked to its markets, everything being
brought to the city either by river-boats up and down the Rhone, or
across the lagoons on rafts, or overland on the backs of mules and
horses. The city could offer to its citizens every luxury known to the
age.
[Illustration: THE ARENA AT ARLES.]
The great amphitheatre, built or commenced during the reign of Claudius
Tiberius Nero, at the time when the power of Rome was at its zenith,
could accommodate nearly 27,000 spectators to witness the wild beast and
gladiatorial shows so popular in Rome at that period. It was constructed
in the early days of amphitheatres, and is perhaps one of the oldest
extant, and gives, together with the Arena at Nîmes, a more vivid
impression of the Empire’s strength and grandeur than any other Roman
monument in France. Although on a much smaller scale than the mighty
Coliseum at Rome (which was built at a much later date and replaced
earlier buildings in that city, could accommodate 100,000 spectators,
and was over 615 feet in length and 510 feet in width, as compared with
the Arena at Arles, 450 feet long and 351 feet wide), it gives some
notion of the important part the amphitheatre played in the life of the
Roman capital.
The amphitheatre at Arles, unlike that of Nîmes, was, if the evidence of
the height of the wall of the Podium enclosing the Arena is trustworthy,
used for the great fights of lions, tigers, elephants, and other
animals, as well as for combats between the gladiators--elaborate and
extravagant spectacles that riveted the attention and ministered to the
enjoyment of the Roman world for a period extending over seven hundred
years. The immense arenas at Arles and Nîmes are proof of the prosperity
of these two colonies. Many of the Greek traditions of the Arlesiens
were lost sight of and contemned by the
[Illustration: ARCHES OF THE ARENA.
NIMES.]
conquerors, but the refined and intellectual amusements of the Greeks
made a slight appeal to the tastes of the warrior race, who overthrew
them, and who built a theatre in Arles, in the first century, under the
strong influence of the Greek element in the colony, an influence that
had made itself felt also in the architecture of the Arena.
Public-domain text, read in full here on John Shaqi.
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