Neither these princes nor their neighbors noticed the presence at one of
the tables of a man who had borne the title of King in one of the states
improvised on the Balkan Peninsula. Men had fought for this man, men had
died for him, but his royal interests seemed now to be restricted to the
pasteboard monarchs on the table of _trente-et-quarante_. And king and
princes, grand-nephews and cousins of emperors, in the promiscuity of
this international resort, elbowed noblemen whose ancestors had served
or betrayed their own; and these lords elbowed the sons of tradesmen,
dressed like them, nourished like them, amused like them; and these
_bourgeois_ brushed against celebrated artists--here the most famous of
our portrait painters, there a well-known singer, there an illustrious
writer--while fashionable women mingled with this crowd in toilets which
rivalled in splendor those of the _demi-monde_. And other men poured in
continually, and other women, and especially others of the _demi-monde_.
Through the door they streamed in endlessly, of all categories, from the
creature with hungry eyes and the face of a criminal, in search of some
fortunate gambler whose substance she might absorb as a spider does that
of a fly, to the insolent and triumphant devourer of fortunes, who
stakes twenty-five louis on every turn of the roulette and wears in her
ears diamonds worth 30,000f. These contrasts formed here and there a
picture even more striking and significant; for example, between two of
these venders of love, their complexion painted with ceruse and with
rouge, their eyes depraved by luxury and greed, a young woman, almost a
child, recently married and passing through Monte Carlo on her wedding
journey, stretched forth her fresh, pretty face with a smile of
innocence and roguish curiosity.
Public-domain text, read in full here on John Shaqi.
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