"I do not wish my happiness to cost you a moment of worry, and it will
not. I can predict hour by hour everything that will take place on the
14th, and you will see if your friend is not a prophet. You know what a
lucky line I have here," he added, showing the palm of his hand, "and
you know what I have read in your own pretty hand."
It was one of his tricks, and at the same time one of his own
superstitions, to play the rôle of a parlor wizard and chiromancer, and
he continued with that tone of certitude that imparts firmness to the
irresolute:--
"You will have a magnificent passage to Genoa. You will find me you know
where with Dom Fortunato Lagumina, for the old _abbé_ is eager to act
as chaplain in this _matrimonio segreto_. You will return to Cannes
without any one in the world suspecting that _Mme. la Marquise
Bonnacorsi_ has become _Mme. la Vicomtesse de Corancez_, excepting the
Vicomte, who will find some way of making our little _combinazione_
acceptable to the good Alvise. Until then you will write to me at Genoa,
_poste restante_, and I to you, in care of our dear Miss Florence."
"Whose name is also Miss Prudence," said the young girl, "and she thinks
you are talking too long for conspirators. Beware of pickpockets," she
added in English.
This was the signal agreed upon to warn them of the approach of some
acquaintance.
"Bah, that pickpocket is not dangerous," said Corancez, following the
direction of Miss Marsh's fan, and recognizing the person who had
attracted her attention. "It is Pierre Hautefeuille, my old friend. He
doesn't even notice us. Marquise, do you wish to see a lover desperate
at not finding his loved one? And to think that I should be like him,"
he added, in a lower tone, "if you were not here to intoxicate me with
your beauty." Then, raising his voice, "Watch him sit down on that
lounge in the corner, unconscious of the three pairs of eyes that are
observing him. A ruined gambler might blow out his brains beside him and
he would not turn his head. He would not even hear."
Public-domain text, read in full here on John Shaqi.
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