In another small room is an unpainted wooden table, and behind it sit half-life-size waxen figures of the Holy Family, made by the very worst artist that ever lived, perhaps, and clothed in gaudy, flimsy drapery. [1] The margravine used to bring her meals to this table and DINE WITH THE HOLY FAMILY. What an idea that was! What a grisly spectacle it must have been! Imagine it: Those rigid, shock-headed figures, with corpsy complexions and fish glass eyes, occupying one side of the table in the constrained attitudes and dead fixedness that distinguish all men that are born of wax, and this wrinkled, smoldering old fire-eater occupying the other side, mumbling her prayers and munching her sausages in the ghostly stillness and shadowy indistinctness of a winter twilight. It makes one feel crawly even to think of it. [1] The Savior was represented as a lad of about fifteen years of age. This figure had lost one eye. In this sordid place, and clothed, bedded, and fed like a pauper, this strange princess lived and worshiped during two years, and in it she died. Two or three hundred years ago, this would have made the poor den holy ground; and the church would have set up a miracle-factory there and made plenty of money out of it. The den could be moved into some portions of France and made a good property even now. End of Project Gutenberg's A Tramp Abroad, by Mark Twain (Samuel Clemens)