Americans -- Europe -- Fiction; Europe -- Fiction; Humorous stories; Walking -- Fiction
His daughter was the "catch" of the region, and she may be already
entering into immortality as the heroine of one of Auerbach's novels,
for all I know. We shall see, for if he puts her in I shall recognize
her by her Black Forest clothes, and her burned complexion, her plump
figure, her fat hands, her dull expression, her gentle spirit,
her generous feet, her bonnetless head, and the plaited tails of
hemp-colored hair hanging down her back.
The house was big enough for a hotel; it was a hundred feet long and
fifty wide, and ten feet high, from ground to eaves; but from the eaves
to the comb of the mighty roof was as much as forty feet, or maybe even
more. This roof was of ancient mud-colored straw thatch a foot thick,
and was covered all over, except in a few trifling spots, with a
thriving and luxurious growth of green vegetation, mainly moss. The
mossless spots were places where repairs had been made by the insertion
of bright new masses of yellow straw. The eaves projected far down, like
sheltering, hospitable wings. Across the gable that fronted the road,
and about ten feet above the ground, ran a narrow porch, with a wooden
railing; a row of small windows filled with very small panes looked upon
the porch. Above were two or three other little windows, one clear up
under the sharp apex of the roof. Before the ground-floor door was a
huge pile of manure. The door of the second-story room on the side of
the house was open, and occupied by the rear elevation of a cow. Was
this probably the drawing-room? All of the front half of the house from
the ground up seemed to be occupied by the people, the cows, and the
chickens, and all the rear half by draught-animals and hay. But the
chief feature, all around this house, was the big heaps of manure.
We became very familiar with the fertilizer in the Forest. We fell
unconsciously into the habit of judging of a man's station in life
by this outward and eloquent sign. Sometimes we said, "Here is a poor
devil, this is manifest." When we saw a stately accumulation, we said,
"Here is a banker." When we encountered a country-seat surrounded by an
Alpine pomp of manure, we said, "Doubtless a duke lives here."
The importance of this feature has not been properly magnified in the
Black Forest stories. Manure is evidently the Black-Forester's main
treasure--his coin, his jewel, his pride, his Old Master, his ceramics,
his bric-a-brac, his darling, his title to public consideration, envy,
veneration, and his first solicitude when he gets ready to make his
will. The true Black Forest novel, if it is ever written, will be
skeletoned somewhat in this way:
SKELETON FOR A BLACK FOREST NOVEL
Rich old farmer, named Huss.
Public-domain text, read in full here on John Shaqi.
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