Americans -- Europe -- History -- 20th century; Dreiser, Theodore, 1871-1945 -- Travel -- Europe; Europe -- Description and travel
“Oh”--who can indicate exactly the sound of the English “Oh”--“Oh,
_there_ you are.” (His _are_ always sounded like _ah_.) “Now let
me tell you something. You are to dress for dinner. Ship etiquette
requires it. You are to talk to the captain some--tell him how much
you think of his ship, and so forth; and you are not to neglect the
neighbor to your right at table. Ship etiquette, I believe, demands
that you talk to your neighbor, at least at the captain’s table--that
is the rule, I think. You are to take in Miss X. I am to take in Miss
E.” Was it any wonder that my sea life was well-ordered and that my
lines fell in pleasant places?
After dinner we adjourned to the ship’s drawing-room and there Miss
X. fell to playing cards with Barfleur at first, afterwards with Mr.
G., who came up and found us, thrusting his company upon us perforce.
The man amused me, so typically aggressive, money-centered was he.
However, not he so much as Miss X. and her mental and social attitude,
commanded my attention. Her card playing and her boastful accounts of
adventures at Ostend, Trouville, Nice, Monte Carlo and Aix-les-Bains
indicated plainly the trend of her interests. She was all for the
showy life that was to be found in these places--burning with a desire
to glitter--not shine--in that half world of which she was a smart
atom. Her conversation was at once showy, naïve, sophisticated and yet
unschooled. I could see by Barfleur’s attentions to her, that aside
from her crude Americanisms which ordinarily would have alienated him,
he was interested in her beauty, her taste in dress, her love of a
certain continental café life which encompassed a portion of his own
interests. Both were looking forward to a fresh season of it--Barfleur
with me--Miss X. with some one who was waiting for her in London.
I think I have indicated in one or two places in the preceding pages
that Barfleur, being an Englishman of the artistic and intellectual
classes, with considerable tradition behind him and all the feeling of
the worth-whileness of social order that goes with class training, has
a high respect for the conventions--or rather let me say appearances,
for, though essentially democratic in spirit and loving America--its
raw force--he still clings almost pathetically, I think, to that vast
established order, which is England. It may be producing a dying
condition of race, but still there is something exceedingly fine about
it. Now one of the tenets of English social order is that, being a man
you must be a gentleman, very courteous to the ladies, very observant
of outward forms and appearances, very discreet in your approaches to
the wickedness of the world--but nevertheless you may approach and much
more, if you are cautious enough.
Public-domain text, read in full here on John Shaqi.
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