Americans -- Europe -- History -- 20th century; Dreiser, Theodore, 1871-1945 -- Travel -- Europe; Europe -- Description and travel
We rejoiced together singing, and then we fought. There is a directness
between experienced intellects which waves aside all formalities. She
had seen a lot of life; so had I.
She said she thought she would like to walk a little, and we strolled
back along the heaving deck to the end of the first cabin section and
then to the stern. When we reached there the sky was overcast again,
for it was one of those changeable mornings which is now gray, now
bright, now misty. Just now the heavens were black and lowering with
soft, rain-charged clouds, like the wool of a smudgy sheep. The sea
was a rich green in consequence--not a clear green, but a dark, muddy,
oil-green. It rose and sank in its endless unrest and one or two boats
appeared--a lightship, anchored out all alone against the lowering
waste, and a small, black, passenger steamer going somewhere.
“I wish my path in life were as white as that and as straight,”
observed Miss X., pointing to our white, propeller-churned wake which
extended back for half a mile or more.
“Yes,” I observed, “you do and you don’t. You do, if it wouldn’t cost
you trouble in the future--impose the straight and narrow, as it were.”
“Oh, you don’t know,” she exclaimed irritably, that ugly fighting light
coming into her eyes, which I had seen there several times before. “You
don’t know what my life has been. I haven’t been so bad. We all of us
do the best we can. I have done the best I could, considering.”
“Yes, yes,” I observed, “you’re ambitious and alive and you’re
seeking--Heaven knows what! You would be adorable with your pretty face
and body if you were not so--so sophisticated. The trouble with you
is--”
“Oh, look at that cute little boat out there!” She was talking of the
lightship. “I always feel sorry for a poor little thing like that, set
aside from the main tide of life and left lonely--with no one to care
for it.”
“The trouble with you is,” I went on, seizing this new remark as an
additional pretext for analysis, “you’re romantic, not sympathetic.
You’re interested in that poor little lonely boat because its state is
romantic; not pathetic. It may be pathetic, but that isn’t the point
with you.”
“Well,” she said, “if you had had all the hard knocks I have had, you
wouldn’t be sympathetic either. I’ve suffered, I have. My illusions
have been killed dead.”
“Yes. Love is over with you. You can’t love any more. You can like to
be loved, that’s all. If it were the other way about--”
I paused to think how really lovely she would be with her narrow
lavender eyelids; her delicate, almost retroussé, little nose; her red
cupid’s-bow mouth.
“Oh,” she exclaimed, with a gesture of almost religious adoration. “I
cannot love any one person any more, but I can love love, and I do--all
the delicate things it stands for.”
“Flowers,” I observed, “jewels, automobiles, hotel bills, fine dresses.”
“Oh, you’re brutal. I hate you. You’ve said the cruelest, meanest
things that have ever been said to me.”
Public-domain text, read in full here on John Shaqi.
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