Americans -- Europe -- History -- 20th century; Dreiser, Theodore, 1871-1945 -- Travel -- Europe; Europe -- Description and travel
As I think of it now I can never be quite sufficiently grateful to
Barfleur for a certain affectionate, thoughtful, sympathetic regard
for my every possible mood on this occasion. This was my first trip to
this England of which, of course, he was intensely proud. He was so
humanly anxious that I should not miss any of its charms or, if need
be, defects. He wanted me to be able to judge it fairly and humanly
and to see the eventual result sieved through my temperament. The soul
of attention; the soul of courtesy; patient, long-suffering, humane,
gentle. How I have tried the patience of that man at times! An iron
mood he has on occasion; a stoic one, always. Gentle, even, smiling,
living a rule and a standard. Every thought of him produces a grateful
smile. Yet he has his defects--plenty of them. Here he was at my elbow,
all the way to London, momentarily suggesting that I should not miss
the point, whatever the point might be, at the moment. He was helpful,
really interested, and above all and at all times, warmly human.
We had been just two hours getting from the boat to the train. It
was three-thirty when the train began to move, and from the lovely
misty sunshine of the morning the sky had become overcast with low,
gray--almost black--rain clouds. I looked at the hills and valleys.
They told me we were in Wales. And, curiously, as we sped along first
came Wordsworth into my mind, and then Thomas Hardy. I thought of
Wordsworth first because these smooth, kempt hills, wet with the rain
and static with deep gray shadows, suggested him. England owes so much
to William Wordsworth, I think. So far as I can see, he epitomized in
his verses this sweet, simple hominess that tugs at the heart-strings
like some old call that one has heard before. My father was a German,
my mother of Pennsylvania Dutch extraction, and yet there is a pull
here in this Shakespearian-Wordsworthian-Hardyesque world which is
precisely like the call of a tender mother to a child. I can’t resist
it. I love it; and I am not English but radically American.
I understand that Hardy is not so well thought of in England as he
might be--that, somehow, some large conservative class thinks that his
books are immoral or destructive. I should say the English would better
make much of Thomas Hardy while he is alive. He is one of their great
traditions. His works are beautiful. The spirit of all the things he
has done or attempted is lovely. He is a master mind, simple, noble,
dignified, serene. He is as fine as any of the English cathedrals.
St. Paul’s or Canterbury has no more significance to me than Thomas
Hardy. I saw St. Paul’s. I wish I could see the spirit of Thomas Hardy
indicated in some such definite way. And yet I do not. Monuments do not
indicate great men. But the fields and valleys of a country suggest
them.
Public-domain text, read in full here on John Shaqi.
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