Americans -- Europe -- History -- 20th century; Dreiser, Theodore, 1871-1945 -- Travel -- Europe; Europe -- Description and travel
He doesn’t know how. He can’t think how. And there’s an
end of it.
But these queer, weird, hard, sad, drab manufacturing cities--what
great writer has yet sung the song of them? Truly I do not recall one
at present clearly. Dickens gives some suggestion of what he considered
the misery of the poor; and in “Les Miserables” there is a touch of
grim poverty and want here and there. But this is something still
different. This is creative toil on a vast scale, and it is a lean,
hungry, savage, animal to contemplate. I know it is because I have
studied personally Fall River, Patterson and Pittsburgh, and I know
what I’m talking about. Life runs at a gaunt level in those places.
It’s a rough, hurtling world of fact. I suppose it is not any different
in England. I looked at the manufacturing towns as we flashed by in
the night and got the same feeling of sad commiseration and unrest.
The homes looked poor and they had a deadly sameness; the streets
were narrow and poorly lighted. I was eager to walk over one of these
towns foot by foot. I have the feeling that the poor and the ignorant
and the savage are somehow great artistically. I have always had it.
Millet saw it when he painted “The Man with the Hoe.” These drab towns
are grimly wonderful to me. They sing a great diapason of misery. I
feel hunger and misery there; I feel lust and murder and life, sick
of itself, stewing in its own juice; I feel women struck in the face
by brutal men; and sodden lives too low and weak to be roused by any
storm of woe. I fancy there are hungry babies and dying mothers and
indifferent bosses and noble directors somewhere, not caring, not
knowing, not being able to do anything about it, perhaps, if they did.
I could weep just at the sight of a large, drab, hungry manufacturing
town. I feel sorry for ignorant humanity. I wish I knew how to raise
the low foreheads; to put the clear light of intellect into sad, sodden
eyes. I wish there weren’t any blows, any hunger, any tears. I wish
people didn’t have to long bitterly for just the little thin, bare
necessities of this world. But I know, also, that life wouldn’t be as
vastly dramatic and marvelous without them. Perhaps I’m wrong. I’ve
seen some real longing in my time, though. I’ve longed myself and I’ve
seen others die longing.
Public-domain text, read in full here on John Shaqi.
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