There were on board other elements which in the normal times gone by
would have seemed disquieting enough. The evening after we had left New
York, while we were still off the coast of Long Island, I saw on the
poop a crowd of steerage passengers listening intently to harangues
by speakers addressing them from the top of a pile of life rafts.
Armenians, I was told, on their way to fight the Turks, all recruited
in America by one frenzied woman who had seen her child cut in two by
a German officer. Twilight was gathering as I joined the group, the sea
was silvered by the light of an August moon floating serenely between
swaying stays. The orator's passionate words and gestures evoked wild
responses from his hearers, whom the drag of an ancient hatred had
snatched from the peaceful asylum of the west. This smiling, happy
folk, which I had seen in our manufacturing towns and cities, were now
transformed, atavistic--all save one, a student, who stared wistfully
through his spectacles across the waters. Later, when twilight deepened,
when the moon had changed from silver to gold, the orators gave place to
a singer. He had been a bootblack in America. Now he had become a bard.
His plaintive minor chant evoked, one knew not how, the flavour of that
age-long history of oppression and wrong these were now determined to
avenge. Their conventional costumes were proof that we had harboured
them--almost, indeed, assimilated them. And suddenly they had reverted.
They were going to slaughter the Turks.
On a bright Saturday afternoon we steamed into the wide mouth of the
Gironde, a name stirring vague memories of romance and terror. The
French passengers gazed wistfully at the low-lying strip of sand and
forest, but our uniformed pilgrims crowded the rail and hailed it as the
promised land of self-realization. A richly coloured watering-place
slid into view, as in a moving-picture show. There was, indeed, all the
reality and unreality of the cinematograph about our arrival; presently
the reel would end abruptly, and we should find ourselves pushing our
way out of the emptying theatre into a rainy street. The impression of
unreality in the face of visual evidence persisted into the night when,
after an afternoon at anchor, we glided up the river, our decks and
ports ablaze across the land. Silhouettes of tall poplars loomed against
the blackness; occasionally a lamp revealed the milky blue facade of a
house. This was France! War-torn France--at last vividly brought home
to us when a glare appeared on the sky, growing brighter and brighter
until, at a turn of the river, abruptly we came abreast of vomiting
furnaces, thousands of electric lights strung like beads over the crest
of a hill, and, below these, dim rows of houses, all of a sameness,
stretching along monotonous streets. A munitions town in the night.
Public-domain text, read in full here on John Shaqi.
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