A Treatise of Human Nature: Being an Attempt to Introduce the Experimental Method Into Moral Subjects; and Dialogues Concerning Natural ReligionHume, David
PhilosophyPhilosophy
A Treatise of Human Nature: Being an Attempt to Introduce the Experimental Method Into Moral Subjects; and Dialogues Concerning Natural Religion
Hume, David
Emotions; Ethics; Knowledge, Theory of; Philosophy, English
colour or tangibility? Is it possible without reference to something
other than a possible impression? Is the idea of extension itself
extended? Yet to the two latter questions, according to Hume’s
express statements, the answer must be affirmative; nor can he avoid
the affirmative answer to the first, to which he would properly be
brought, except by equivocation.
[1] [Greek ἄπειρον (apeiron) = unlimited, indefinite or infinite. Tr.]
[2] It is not really in this sense that the impression of space
according to Hume is a ‘compound’ one, as will appear below.
It means, in effect, that colour and space are the same, and that
feeling may be extended.
234. The _pièces justificatives_ for this assertion are not far to
seek. Some of them have been adduced already. The idea of space, like
every other idea, must be a ‘copy of an impression.’ [1] To speak of
a feeling in its fainter stage as an ‘image’ of what it was in its
livelier stage may, indeed, seem a curious use of terms; but in this
sense only, according to Hume’s strict doctrine, can the idea of
space be spoken of as an ‘image’ of anything at all. The impression
from which it is derived, _i.e._ the feeling at its liveliest,
cannot properly be so spoken of, for ‘no impression is presented
by the senses as the image of anything distinct, or external, or
independent.’ [2] If no impression is so presented, neither can
any idea, which copies the impression, be so. It can involve no
reference to anything which does not come and go with the impression.
Accordingly no distinction is possible between space on the one hand,
and either the impression or idea of it on the other. All impressions
and ideas that can be said to be of extension must be themselves
extended; and conversely, as Hume puts it, ‘all the qualities of
extension are qualities of a perception.’ It should follow that space
is either a colour or feeling of touch. In the terms which Hume
himself uses with reference to ‘substance,’ ‘if it be perceived by
the eyes, it must be colour; if by the ears, a sound; and so on, of
the other senses.’ As he expressly tells us that it is ‘perceived by
the eyes,’ the conclusion is inevitable.
[1] P. 340 [Book I, part II., sec. III.]
[2] P. 479 [Book I, part IV., sec. II.]
The parts of space are parts of a perception.
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