A Treatise of Human Nature: Being an Attempt to Introduce the Experimental Method Into Moral Subjects; and Dialogues Concerning Natural ReligionHume, David
PhilosophyPhilosophy
A Treatise of Human Nature: Being an Attempt to Introduce the Experimental Method Into Moral Subjects; and Dialogues Concerning Natural Religion
Hume, David
Emotions; Ethics; Knowledge, Theory of; Philosophy, English
[1] ‘The taste and smell of any fruit are inseparable from its other
qualities of colour and tangibility, and ... ’tis certain they are
always co-existent. Nor are they only co-existent in general, but
also cotemporary in their appearance in the mind.’ p. 521. (Contrast
p. 370, where existence and appearance are identified.) [Book I, part
IV., sec. V. and part II, sec. IV.]
The thing will have ceased before the quality begins to be.
242. In fact, however, when he speaks of the feeling, which is
called extension, as a quality of the feeling, which is called
sight, of the table, he has not even the excuse that he might have
had if the feelings in question, being of different senses, might be
cotemporary. According to him they are feelings of the same sense.
The extension of the table he took to be a datum of sight just as
properly as its colour; yet he cannot call it the same as colour, but
only ‘a quality of the coloured object.’ As the ‘coloured object,’
however, apart from ‘propensities to feign,’ can, according to him,
be no other than the feeling of colour, his doctrine can only mean
that, colour and extension being feelings of the same sense, the
latter is a quality of the former. Is this any more possible than
that red should be a quality of blue, or a sour taste of a bitter
one? Must not the two feelings be successive, however closely
successive, so that the one which is object will have disappeared
before the other, which is to be its quality, will have occurred? [1]
[1] It should be needless to point out that by taking extension to be
a quality of ‘tangibility’ or muscular effort we merely change the
difficulty. The question as to its relation to such feelings will be
simply a repetition of that, put in the text, as to its relation to
the feeling of colour.
Hume equivocates by putting ‘coloured points’ for colour.
Public-domain text, read in full here on John Shaqi.
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